The Hypnotist by Lars Kepler

wounds.
    “Katja Ek,” states Joona.
    The dead woman’s face is remarkably calm; her mouth is half open and her eyes have a serene look about them. She looks as if she is listening to beautiful music, but her peaceful expression is at odds with the long, vicious slashes across her forehead and cheeks. Joona allows his gaze to roam over Katja Ek’s body, where a marbled veining has already begun to appear around her neck.
    “We’re hoping to get the internal examination done this afternoon.” Joona sighs. “God, what a mess.”
    The other door opens and a young man with an uncertain smile comes in. He has several rings in his eyebrows, and his dyed black hair hangs down the back of his white coat in a ponytail. With a little smile, The Needle raises one fist in a hard rock greeting, pinkie and index finger aloft like devil’s horns, which the young man immediately reciprocates.
    “This is Joona Linna from National CID,” The Needle explains. “He comes to visit us now and again.”
    “Frippe,” says the young man, shaking hands with Joona.
    “He’s specializing in forensic medicine,” says The Needle.
    Frippe pulls on a pair of latex gloves, and Joona goes over to the table with him; the air surrounding the woman is cold and smells unpleasant.
    “She’s the one who was subjected to the least amount of violence,” The Needle points out. “Despite multiple cuts and stab wounds.”
    They contemplate the dead woman. Her body is covered in large and small punctures.
    “In addition, unlike the other two, she has not been mutilated or hacked to pieces,” he goes on. “The actual cause of death is not the wound in her neck but this one, which goes straight into the heart, according to the computer tomography.” He indicates a relatively unimpressive-looking wound on her sternum.
    “But it is a little difficult to see the bleeds on the images,” says Frippe.
    “Naturally, we’ll check it out when we open her up,” The Needle says to Joona.
    “She fought back,” says Joona.
    “In my opinion she actively defended herself at first,” replies The Needle, “based on the wounds on the palms of her hands, but then she tried to escape and simply tried to protect herself.”
    The young doctor studies The Needle intently.
    “Look at the injuries on the outer arms,” says The Needle.
    “Defensive wounds,” mutters Joona.
    “Exactly.”
    Joona leans over and looks at the brownish-yellow patches that are visible in the woman’s open eyes.
    “Are you looking at the suns?”
    “Yes.”
    “You don’t see them until a few hours after death; sometimes it can take several days,” The Needle says to the young doctor. “They’ll turn completely black in the end. It’s because the pressure in the eye is dropping.”
    He picks up a reflex hammer and asks Frippe to see if any idiomuscular contractions remain. The young doctor taps the middle of the woman’s biceps and feels the muscle with his fingers, checking for con tractions.
    “Minimal,” he says to The Needle.
    “They usually stop after thirteen hours,” The Needle explains.
    “The dead are not completely dead,” says Joona, shuddering as he detects a ghostly movement in Katja Ek’s limp arm.
    “ Mortui vivis docent — the dead teach the living,” replies The Needle, smiling to himself as he and Frippe ease her onto her stomach.
    He points out the blotchy reddish-brown patches on her buttocks and the small of her back and across her shoulder blades and arms.
    “The hypostasis is faint when the victim has lost a lot of blood.”
    “Obviously,” says Joona.
    “Blood is heavy, and when you die there is no longer any internal pressure system,” The Needle explains to Frippe. “It might be obvious, but the blood runs downward and simply collects at the lowest points; it’s most often seen on surfaces that have been in contact with whatever the body was lying on.”
    He presses a patch on her right calf with his thumb until it almost