said!”
Aunty Biola slapped her hands together in the typical Nigerian gesture for helplessness, exclaiming, “What am I going to do with this man?!” Then she fell back onto the the sofa as another fit of laughter overtook her.
Jess watched her father fan the two of them with a copy of Tell magazine, then she continued down the corridor. She paused outside the closed door at the end, her grandfather’s study. Ebun had told her, in the quiet of the night, lying in their beds, when the two of them had begun to speak as they did when they couldn’t see each other properly, that the door was always kept shut and locked—ever since the time that Bose, with her hands coated with spicy adun , had nearly destroyed the wine-coloured leather bindings of his specially commissioned copies of Things Fall Apart and A Dance of the Forests .
She hovered outside the door, longing to enter, just to glimpse just once, the rows of shelves Ebun had described to her, and the desk with the official-looking seal on it and to see her grandfather. Since the day she had gone into the entrance of the Boys’ Quarters, he was always wanting to know if she was happy, always wanting to make her happy, not in the anxious way of her English grandparents, who kindly, unintentionally made her feel abnormal, like a freak, but in a powerful, questing way that seemed to put her melancholy under a microscope and make her fears appear groundless. And so she quietly seated herself cross-legged on the clean, shiny squares of the floor outside the study, her back against the wall.
Jess closed her eyes and thought about TillyTilly, glad that she hadn’t gone shopping with her mother. Should she ask Ebun about her? But she didn’t want to, she didn’t want to ask anyone, she wanted to keep TillyTilly. TillyTilly was nothing like Dulcie or anyone in Jess’s class; TillyTilly was barefoot and strange, and wanted to be friends.
Jess could hear Aunty Funke’s laughter ringing down the corridor above the sound of popping, puffing cassava pieces in the black iron cauldron that sat on a big gas ring in the kitchen. Her father was in the kitchen, teasing Aunty Funke. No, Aunty Biola was there too; both of them were laughing at something her father had said in an excited tone of voice.
Aunty Funke called her.
Jess did not reply, didn’t even move. She only stirred and opened her eyes when she realised that her grandfather was emerging from the study. She scrambled up and threw her arms around his waist as he emerged, his slippers shuffling out of the carpeted room and onto the linoleum, where she had been sitting. He laughed with surprise and, dropping the key into his pocket, passed his hand over her hair, which was now neatly cornrowed, thanks to the efforts of Bisola.
“So you were waiting for Baba Gbenga! Will you drink with me, madam?”
She nodded furiously, and he laughed again, beginning to move towards the kitchen although she didn’t release him. Her mother or father would have detached her, her father gently, her mother with an exclamation of mild annoyance, but her grandfather struggled good-naturedly into the kitchen and ordered Aunty Biola to bring him a Powermalt and a Fanta from the cold crate.
“My granddaughter and I are going to drink our health,” he said.
That night, something woke Jessamy. She wasn’t sure whether it was a sound or a smell or an abrupt sight in one of her various dreams that made her suddenly open her eyes and stare around. For the first time since arriving in Nigeria, she felt a gaping disorientation; for a split second she couldn’t even remember where she was, and everything was dim and out of focus.
Then clear images came tumbling back into her vision and she looked to where Ebun lay, breathing shallowly.
Then she remembered.
Tilly Tilly.
Was she too late?
She glanced at the window—it was still dark. She sat up as quietly as she could in the bed, then slipped out of the room. As she ran to the
Lady Brenda
Tom McCaughren
Under the Cover of the Moon (Cobblestone)
Rene Gutteridge
Allyson Simonian
Adam Moon
Julie Johnstone
R. A. Spratt
Tamara Ellis Smith
Nicola Rhodes