The Inheritance of Loss

The Inheritance of Loss by Kiran Desai Page B

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Authors: Kiran Desai
Tags: Fiction
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morning and come back with mountains of food, remember? There they’d be, slicing, boiling, frying mountains of potatoes and onions. And then, by evening, they’d go running to the bazaar again, hair flying, coming back crazy with excitement and even more onions and potatoes for dinner. To them India was a land of plenty. They’d never seen anything like our markets."
    But despite their opinion of Russia and Sai’s parents, over the years they grew very fond of Sai.

    Nine

    " Oh my God, " shrieked Lola, when she heard the judge’s guns had been stolen from Cho Oyu. She was very much grayer now, but her personality was stronger than ever. "What if those hooligans come to Mon Ami? They’re bound to come.
    But we have nothing. Not that that will deter them. They’ll kill for fifty rupees."
    "But you have a watchman," said Sai, absentminded, still trailing the thought of how Gyan hadn’t arrived the day of the robbery. His affection was surely on the wane. . . .
    "Budhoo? But he’s Nepali. Who can trust him now? It’s always the watchman in a case of robbery. They pass on the information and share the spoils.
    . . . Remember Mrs. Thondup? She used to have that Nepali fellow, returned from Calcutta one year to find the house wiped clean. Wiped clean. Cups plates beds chairs wiring light fixtures, every single thing—even the chains and floats in the toilets. One of the men had tried to steal the cables along the road and they found him electrocuted. Every bamboo had been cut and sold, every lime was off the tree. Holes had been bored into their water pipes so every hut on the hillside was drawing water from their supply—and no sign of the watchman, of course. Quick across the border, he’d disappeared back into Nepal. My God, Noni," she said,
    "we had better tell that Budhoo to go."
    "Calm down. How can we?" said Noni. "He has given us no reason." In fact, Budhoo had been a comforting presence for the two sisters who’d reached old age together at Mon Ami, its vegetable patch containing, as far as they knew, the country’s only broccoli grown from seeds procured in England; its orchard providing enough fruit for stewed pears every day of pear season and enough leftover to experiment with wine making in the bathtub. Their washing line sagged under a load of Marks and Spencer panties, and through large leg portholes, they were favored with views of Kanchenjunga collared by cloud. At the entrance to the house hung a thangkha of a demon—with hungry fangs and skull necklaces, brandishing an angry penis—to dissuade the missionaries. In the drawing room was a trove of knickknacks. Tibetan choksee tables painted in jade and flame colors piled with books, including a volume of paintings by Nicholas Roerich, a Russian aristocrat who painted the Himalayas with such grave presence it made you shiver just to imagine all that grainy distilled cold, the lone traveler atop a yak, going—where? The immense vistas indicated an abstract destination. Also, Salim Ali’s guide to birds and all of Jane Austen. There was Wedgwood in the dining room cabinet and a jam jar on the sideboard, saved for its prettiness. "By appointment to Her Majesty the queen jam and marmalade manufacturers," it read in gold under a coat of arms, supported by a crowned lion and a unicorn.

    ________

    Then there was the cat, Mustafa, a sooty hirsute fellow demonstrating a perfection of containment no amount of love or science could penetrate. He was, at this moment, starting up like a lorry on Sai’s lap, but his eyes looked blankly right into hers, warning her against mistaking this for intimacy.
    To guard all this and their dignity, the sisters had hired Budhoo, a retired army man who had seen action against guerilla factions in Assam and had a big gun and an equally fierce mustache. He came each night at nine, ringing his bell as he rode up on his bicycle and lifting his bottom off the seat as he went over the bump in the garden.
    "Budhoo?" the

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