Mary Shelley
----
This slender narrative has no pretensions to the regularity of a story, or the development of situations and feelings; it is but a slight sketch, delivered nearly as it was narrated to me by one of the humblest of the actors concerned: nor will I spin out a circumstance interesting principally from its singularity and truth, but narrate, as concisely as I can, how I was surprised on visiting what seemed a ruined tower, crowning a bleak promontory overhanging the sea, that flows between Wales and Ireland, to find that though the exterior preserved all the savage rudeness that betokened many a war with the elements, the interior was fitted up somewhat in the guise of a summer-house, for it was too small to deserve any other name. It consisted but of the ground-floor, which served as an entrance, and one room above, which was reached by a staircase made out of the thickness of the wall. This chamber was floored and carpeted, decorated with elegant furniture; and, above all, to attract the attention and excite curiosity, there hung over the chimney-piece--for to preserve the apartment from damp a fire-place had been built evidently since it had assumed a guise so dissimilar to the object of its construction--a picture simply painted in water-colours, which seemed more than any part of the adornments of the room to be at war with the rudeness of the building, the solitude in which it was placed, and the desolation of the surrounding scenery. This drawing represented a lovely girl in the very pride and bloom of youth; her dress was simple, in the fashion of the day--(remember, reader, I write at the beginning of the eighteenth century), her countenance was embellished by a look of mingled innocence and intelligence, to which was added the imprint of serenity of soul and natural cheerfulness. She was reading one of those folio romances which have so long been the delight of the enthusiastic and young; her mandoline was at her feet--her parroquet perched on a huge mirror near her; the arrangement of furniture and hangings gave token of a luxurious dwelling, and her attire also evidently that of home and privacy, yet bore with it an appearance of ease and girlish ornament, as if she wished to please. Beneath this picture was inscribed in golden letters, "The Invisible Girl."
Rambling about a country nearly uninhabited, having lost my way, and being overtaken by a shower, I had lighted on this dreary looking tenement, which seemed to rock in the blast, and to be hung up there as the very symbol of desolation. I was gazing wistfully and cursing inwardly my stars which led me to a ruin that could afford no shelter, though the storm began to pelt more seriously than before, when I saw an old woman's head popped out from a kind of loophole, and as suddenly withdrawn:--a minute after a feminine voice called to me from within, and penetrating a little brambly maze that skreened a door, which I had not before observed, so skilfully had the planter succeeded in concealing art with nature I found the good dame standing on the threshold and inviting me to take refuge within. "I had just come up from our cot hard by," she said, "to look after the things, as I do every day, when the rain came on--will ye walk up till it is over?" I was about to observe that the cot hard by, at the venture of a few rain drops, was better than a ruined tower, and to ask my kind hostess whether "the things" were pigeons or crows that she was come to look after, when the matting of the floor and the carpeting of the staircase struck my eye. I was still more surprised when I saw the room above; and beyond all, the picture and its singular inscription, naming her invisible, whom the painter had coloured forth into very agreeable visibility, awakened my most lively curiosity: the result of this, of my exceeding politeness towards the old woman, and her own natural garrulity, was a kind of garbled narrative which my imagination eked out, and future
----
This slender narrative has no pretensions to the regularity of a story, or the development of situations and feelings; it is but a slight sketch, delivered nearly as it was narrated to me by one of the humblest of the actors concerned: nor will I spin out a circumstance interesting principally from its singularity and truth, but narrate, as concisely as I can, how I was surprised on visiting what seemed a ruined tower, crowning a bleak promontory overhanging the sea, that flows between Wales and Ireland, to find that though the exterior preserved all the savage rudeness that betokened many a war with the elements, the interior was fitted up somewhat in the guise of a summer-house, for it was too small to deserve any other name. It consisted but of the ground-floor, which served as an entrance, and one room above, which was reached by a staircase made out of the thickness of the wall. This chamber was floored and carpeted, decorated with elegant furniture; and, above all, to attract the attention and excite curiosity, there hung over the chimney-piece--for to preserve the apartment from damp a fire-place had been built evidently since it had assumed a guise so dissimilar to the object of its construction--a picture simply painted in water-colours, which seemed more than any part of the adornments of the room to be at war with the rudeness of the building, the solitude in which it was placed, and the desolation of the surrounding scenery. This drawing represented a lovely girl in the very pride and bloom of youth; her dress was simple, in the fashion of the day--(remember, reader, I write at the beginning of the eighteenth century), her countenance was embellished by a look of mingled innocence and intelligence, to which was added the imprint of serenity of soul and natural cheerfulness. She was reading one of those folio romances which have so long been the delight of the enthusiastic and young; her mandoline was at her feet--her parroquet perched on a huge mirror near her; the arrangement of furniture and hangings gave token of a luxurious dwelling, and her attire also evidently that of home and privacy, yet bore with it an appearance of ease and girlish ornament, as if she wished to please. Beneath this picture was inscribed in golden letters, "The Invisible Girl."
Rambling about a country nearly uninhabited, having lost my way, and being overtaken by a shower, I had lighted on this dreary looking tenement, which seemed to rock in the blast, and to be hung up there as the very symbol of desolation. I was gazing wistfully and cursing inwardly my stars which led me to a ruin that could afford no shelter, though the storm began to pelt more seriously than before, when I saw an old woman's head popped out from a kind of loophole, and as suddenly withdrawn:--a minute after a feminine voice called to me from within, and penetrating a little brambly maze that skreened a door, which I had not before observed, so skilfully had the planter succeeded in concealing art with nature I found the good dame standing on the threshold and inviting me to take refuge within. "I had just come up from our cot hard by," she said, "to look after the things, as I do every day, when the rain came on--will ye walk up till it is over?" I was about to observe that the cot hard by, at the venture of a few rain drops, was better than a ruined tower, and to ask my kind hostess whether "the things" were pigeons or crows that she was come to look after, when the matting of the floor and the carpeting of the staircase struck my eye. I was still more surprised when I saw the room above; and beyond all, the picture and its singular inscription, naming her invisible, whom the painter had coloured forth into very agreeable visibility, awakened my most lively curiosity: the result of this, of my exceeding politeness towards the old woman, and her own natural garrulity, was a kind of garbled narrative which my imagination eked out, and future
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