expression, which practically dares her to try. Not with his body language, which puffs his chest and makes him stand a few inches taller in his boots. And not with his scolding—for Jake is surely giving her a scolding—which continues unbroken for a good sixty seconds.
“Who’s he talking to?” I say. “I feel like I should know her.”
“You should. That’s Tanya Crawford, formerly McNeal.”
It takes me a minute to connect the long-forgotten dots. “The same Tanya McNeal who got suspended for selling hand jobs in the school parking lot?”
“That’s her. Married one of those loony Pentecostals a few years ago, so I suppose it was inevitable she’d follow him over the hot coals.”
Whatever Jake’s message, Tanya doesn’t like it. She scrunches her mouth and pushes past him without a word, barely pausing to snatch her coat from a hook on her way out the door.
Lexi returns to her wine, draining her glass and then reaching for mine.
“What do you think that was all about?” I say.
“Not about snake handling, that’s for damn sure.”
The back of my neck tingles at her ominous words, at whatever’s written on Tanya’s paper, now stuffed into the back pocket of Jake’s jeans. And the undeniable hunch the episode has something to do with our father.
I steal another glance at Jake, but now he’s swapping greetings with a man in head-to-toe Harley-Davidson gear, and I’d be hard-pressed to find any indication of his former aggravation without a blood pressure cuff. He slaps the biker on the back, sweeps up two empty plates from the table to his right and heads back to the bar as if nothing happened, as if he didn’t just tell Tanya McNeal she was no longer welcome.
“Jakey.” Lexi’s voice is high and honey sweet, stopping him before he can slip into the kitchen. “Did you or did you not just toss that woman out of your restaurant?”
“Absolutely not.” He shifts the plates onto a forearm, not quite meeting Lexi’s eyes. Mine, either. “The choice to leave was hers entirely.”
Lexi and I share a look, and then she reaches a hand, palm to the sky, across the bar. “All right. Hand it over.”
He pauses a beat too long. “Hand what over?”
“Jake Foster, don’t you play coy with me. Either give me that paper in your back pocket or I’ll go over there and get a copy from Andy Jamison. Your call.”
A faint furrow dips between his brows, but Jake slides the paper from his pocket with his free hand. He goes to pass it to her, then reconsiders. He pulls back his hand, and the wadded-up paper, just out of her reach. “Maybe you should wait till you get home to read it.”
Lexi molds her lips into one of her beauty-pageant smiles. “Sweetheart, I wasn’t born yesterday. By the way your eyes get all pointy just looking at me, I already have a good idea what this is about. But don’t you worry. If that paper has something to do with that man, then it has nothing to do with me.” She holds up her palm. “Now give it.”
“What man?” I ask Lexi. “You have nothing to do with what man?”
Lexi doesn’t answer, doesn’t take her eyes off Jake, and he drops the wad into her hand. She uncrumples the paper, flattening it onto the bar with both palms. Her red-dipped fingertips swipe along the first three words: Guilty as Sin.
She thrusts the paper away like it’s garbage.
“That hardly seems very Christian,” I say.
“That’s exactly what I told Tanya.” Jake slides the dishes with a loud clatter onto the bar, his gaze hardwired to my sister.
Lexi ignores both of us. She reaches into her purse for a tube and a silver compact and sets about applying a fresh coat of pink gloss.
I slide the page closer with the tip of a finger and read further. My stomach twists at the image of my father, looking almost dashing in his trial suit, like he’s on his way to the Barter Theatre rather than playing center stage in his own nightmare. But I can see why Tanya chose to feature
Jane Hunt
Jonathan Maberry
K. Sterling
Tara Fox Hall
James Kakalios
Jacquie Rogers
Rebecca Hamilton, Conner Kressley
Elizabeth Moynihan
Shiloh Walker
Mary Balogh