The Last Hieroglyph
beneath his beard; and his eyes still glared implacably upon the blackness of the far window. But at that instant a voice filled the awful spaces of the room, reverberating like thunder in the heavens, hollow and tremendous:
    “Fools! ye have dared to ask me for an oracle. And the oracle is—death!”
    Nygon and Fustules, knowing their doom, fled on in a madness of terror and desperation. Beyond the towering thuribles, the tomes that were piled like pyramids, they saw the threshold in intermittent glimpses, like a remote horizon. It withdrew before them, dim and unattainable. They panted as runners pant in a dream. Behind them, the vermilion python crawled; and overtaking them as they tried to round the brazen back of a wizard volume, it struck them down like fleeing dormice….
    In the end, there was only a small coral viper, that crept back to its hiding-place in the bosom of Malygris….

    Toiling by day and night, in the vaults under the palace of Gadeiron, with impious charms and unholy conjurations, and fouler chemistries, Maranapion and his seven coadjutors had nearly completed the making of their sorcery.
    They designed an invultuation against Malygris, that would break the power of the dead necromancer by rendering evident to all the mere fact of his death. Employing an unlawful Atlantean science, Maranapion had created living plasm with all the attributes of human flesh, and had caused it to grow and flourish, fed with blood. Then he and his assistants, uniting their wills and convoking the forces that were blasphemy to summon, had compelled the shapeless, palpitating mass to put forth the limbs and members of a new-born child; and had formed it ultimately, after all the changes that man would undergo between birth and senescence, into an image of Malygris.
    Now, carrying the process even further, they caused the simulacrum to die of extreme age, as Malygris had apparently died. It sat before them in a high chair, facing toward the east, and duplicating the very posture of the magician on his seat of ivory.
    Nothing remained to be done. Forspent and weary, but hopeful, the sorcerers waited for the first signs of mortal decay in the image. If the spells they had woven were successful, a simultaneous decay would occur in the body of Malygris, incorruptible heretofore. Inch by inch, member by member, he would rot in the adamantine tower. His familiars would desert him, no longer deceived; and all who came to the tower would know his mortality; and the tyranny of Malygris would lift from Susran, and his necromancy be null and void as a broken pentacle in sea-girt Poseidonis.
    For the first time since the beginning of their invultuation, the eight magicians were free to intermit their vigilance without peril of invalidating the charm. They slept soundly, feeling that their repose was well earned. On the morrow they returned, accompanied by King Gadeiron, to the vault in which they had left the plasmic image.
    Opening the sealed door, they were met by a charnel odor, and were gratified to perceive in the figure the unmistakable signs of decomposition. A little later, by consulting the Cyclops’ eye, Maranapion verified the paralleling of these marks in the features of Malygris.
    A great jubilation, not unmingled with relief, was felt by the sorcerers and by King Gadeiron. Heretofore, not knowing the extent and duration of the powers wielded by the dead master, they had been doubtful of the efficacy of their own magic. But now, it seemed, there was no longer any reason for doubt.
    On that very day it happened that certain sea-faring merchants went before Malygris to pay him, according to custom, a share of the profits of their latest voyage. Even as they bowed in the presence of the master, they became aware, by sundry disagreeable tokens, that they had borne tribute to a corpse. Not daring even then to refuse the long-exacted toll, they flung it down and fled from the place in terror.
    Soon, in all Susran, there was

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