The Light of Paris by Eleanor Brown Page A

you arriving today?”
    I looked down at myself and my luggage. “It appears I already have.”
    â€œI’m sorry, it completely slipped my mind. Your clothes are all wrinkled.”
    â€œI’ve been on a plane.” I’m sure my mother got off planes looking fresh as a daisy, but I, like most mere mortals, was wrinkle-prone. She sighed at me as though it were a personal failing.
    â€œAren’t you going to close the door?”
    â€œIt was on my to-do list. Nice to see you too.”
    â€œI’m sorry, I’m sorry, I’m all aflutter.” She came forward and gave me a brittle hug. My mother was tiny and delicate and beautiful, like so many of the women in my life. She wore essentially the same thing every day—a pair of slacks, a cardigan, and a scarf tied around her neck. She had pearl earrings and a once-a-week hairdo and if you saw her at the grocery store you would pretty much know exactly the kind of person she was, which might be a terrible thing to say but is one hundred percent the truth.
    Beauty, in my family, seems to skip a generation. I was not beautiful in the same way my grandmother hadn’t been beautiful—the body that had been unpopular in the 1920s was equally unpopular now, and I don’t think it ever had a heyday at any point in between. We were too tall to be average, but not tall enough to be interesting; we had broad shoulders and breasts that interfered with everyday activities and hips that belonged on a Soviet propaganda poster. When I looked in the mirror, I could see her features looking back at me—one eyebrow higher than the other, wide, milky brown eyes, a forgettable nose, a thin, poutless mouth.
    But my grandmother, when I had known her, had possessed a certain elegance. She wore Chanel suits and she always had a glass of wine in her hand, and she never laughed too loud, and when she walked out of a room, you could tell she had been there from the trail of perfume she left behind, as though the room had recently been abandoned by a spirit with a preference for Shalimar. I had none of that ease: I had spent my entire life trying (and failing) to fit my uncooperative body into someone else’s mold. Every ten weeks, I went to a salon where they poured chemicals over my hair to calm it into smooth submission, and in between, I regularly flat-ironed it, the smell of heat and burnt hair filling my nose. I ate as little as possible, especially in public, leaving half my anemic salad on my plate at luncheons. When I remembered all the desserts I had pushed away—the rich cheesecakes, the delicate stacks of fruit and cream, the whirls of ganache—I wanted to weep. It had worked—to anextent—I was thin, but that did not make my shoulders any smaller, my calves any less like the trunks of sturdy young trees.
    My mother, on the other hand, was beautiful, a clear genetic anomaly sandwiched between my grandmother and me, with delicate features, fine bones, and hair like champagne and corn silk. She had tried to raise me in her own image, but I was never able to match her easy elegance. I sweated through my gloves at cotillion, and though I followed her instructions on hair brushing to the letter, what made her hair smooth and sleek as a thoroughbred’s mane only seemed to leave mine fluffy and floating, as though I had disobeyed on purpose. I wore the clothes she bought me, though they never seemed to fit right, the shirts riding up no matter how much I tugged at them, the outfits that looked so perfect in the pages of
Seventeen
somehow losing their allure on me, making me look lumpy, as though I were smuggling packets of flour taped to my sides.
    â€œHow was your flight?” my mother asked as she released me, leaving a pale cloud of L’Air du Temps behind.
    â€œFine. What’s going on next door? It looks like they’re having a party.”
    â€œIt’s awful, isn’t it? The Schulers sold the