The Lights of Pointe-Noire

The Lights of Pointe-Noire by Alain Mabanckou Page A

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Authors: Alain Mabanckou
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By pure coincidence, Papa Roger, on his way back from work, had also decided to thank my uncle and his wife for having me to stay with them, and probably to leave a little envelope for my cousins Bienvenüe and Gilbert, as he often did.
    My mother and I were still saying goodbye to Uncle Albert when we heard a great rumpus out in the street. It had to be a fight, because all the kids in the neighbourhood were shouting:
    â€˜Ali boma yé! Ali boma yé! Ali boma yé!’
    It was the famous cry of the Zaireans at the ‘May 20th’ Stadium during the legendary fight between Muhammad Ali and George Foreman. In both Congos, it had become customary to chant it at any brawl.
    We all dashed outside into the street, and found a real punch-up going on, which had brought the entire Rex neighbourhood running to the rue du Louboulou. Marcel and my father were on the ground, covered in dust, and Papa Roger was on top, despite being so much smaller than the other guy, who seemed to me to be some kind of colossus, measuring nearly two metres, a good head taller than most houses in the street. Each time Marcel tried to get to his feet and catch my father off guard, the local people, including several members of our family, caught hold of his shirt or one of his feet, and he lost his balance again, to Papa Roger’s advantage. Picking a fight in the middle of this group, where we were as good as joined at the hip, was equivalent to signing his own death warrant.
    My mother yelled at the top of her voice:
    â€˜Roger! Leave the guy alone! He hasn’t done anything!’
    My father wouldn’t let go of Marcel’s neck.
    â€˜I’ll kill him! I’ll kill him!’
    Buoyed up by the excitement of the group, he was leaping around, striking karate poses which he’d seen in the film The Wrecking Crew , butting him, kicking him, kneeing him, and again, till Marcel, his face all bloodied, managed to work himself free and make a run for it. The whole neighbourhood ran after him. Everyone had a piece of wood or a stone in their hands.
    â€˜They’ll kill him!’ shrieked my mother.
    â€˜We sure will!’ came a voice from the crowd.
    You couldn’t tell who was throwing the stones and who the bits of wood, which Marcel was just managing to dodge. He had long legs and ran as though death itself was at his heels. In a few strides he crossed the Avenue of Independence and vanished into thin air in the winding streets of the Trois-Cents neighbourhood, the haunt of the prostitutes from Zaire. His pursuers knew not to go looking for him on that territory, where a fight could quickly turn into a general riot.
    Back at our house, my parents were rowing fiercely. My mother was telling my father it was a coincidence that Marcel happened to be in the rue de Louboulou. My father didn’t believe her, and was convinced that Maman Pauline had arranged a meeting with him, and that Uncle Albert was in on it, as were the entire Bembé tribe in the rue de Louboulou.
    â€˜So then why did the very people from my tribe that you’re accusing take your side?’
    My father didn’t answer that. Proof, perhaps, that he realised my maternal family had been rooting for him, and he’d been carried away by suspicion and rage…

My mother is a miss
    T he photo’s in black and white, with a bit torn off at the bottom, on the right-hand side. It was taken at the end of the 1970s, one afternoon in the Joli-Soir district. I had come to meet my parents in this bar, where we are all sitting at a table. The two of them have glasses raised to their lips, and mine is on the table. It’s filled with beer, my mother insisted on this, she didn’t want anyone to think I was only there for the photo. We had to make it look like I had been sitting drinking with them for some time. I can still hear my mother acting like some finicky film director, to the photographer’s slight surprise:
    â€˜Hold on,

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