around his back, holding him tight. He was spun around. Tattoo pointed to the shell of a building.
âIn there, man. Moobâ itâ
No weapons visible, but Skully stood in the center of too many mean-looking honchos to mess around.
âNo need to get tough,â he said, amazed at his own resignation. He pulled the wad out of his pocket. âHereâs mâmoney. Just leave me alone.â
Tattoo snapped Skullyâs roll but still insisted he enter the building.
âJacket off,â one of them said, showing a cheap pistol.
âHey, you got mâfuckinâ money!â
âShut up. Git it off!â
The sleazoid picked up Skullyâs jacket, took a pack of butts out of the breast pocket, divided them with his associates.
âNow pants, man.â
âWhat?â
The shiv fell to the floor, and soon the rest of Skullyâs cake was in their hands.
âRapido! Green gonna sell out. Leâs split!â
One stayed behind long enough to tie Skullyâs jeans into knots. When he was satisfied that his victim would need ten minutes to untie the legs, he dropped the jeans on the garbage carpeted floor and stalked out.
Yen chills ran up and down Skullyâs spine, distracting him. He tried to undo one of the tighter knots, but his hands shook uncontrollably. A coughing fit gripped him, and he held his chest. Weak, he sat on garbage and broken glass, shielded only by his skivvies. He could hear a Crazy Eddie commercial roaring out of a ghetto blaster somewhere close by, and the harshness irritated him unbearably. One of the jerks had left a burning cigaretteâhisâon the floor. He lifted it to his quivering lips.
Theyâd cleaned him. How the fuck could he smile and mix drinks in this condition? He thought about a book heâdâ read in the joint, by Kafka, called The Metamorphosis. Gregor Samsa wakes up one morning and discovers heâs a cockroach. The superlative problem is: How can I put my human clothes on this body, so I can go to work?
He didnât even have a dime to call the bar and offer an excuse. Didnât have the price of a subway token. Now, ainât Fate a fucking? Too bad Gregor couldnât join him at the moment. It took awhile, but he got the knots out, put on his jeans, and hit the street.
âHow many jâwant? Lasâ call on Green Tape.â
He turned and faced a green-capped crew worker.
âNone,â he said. âI just got taken off.â
The worker shrugged. âBetta git some money, poppa. Jâlookinâ seeek.â
âYeah! Got a smoke?â
The worker told him to stop shaking as he lit the cigarette. âCop some dinero anâ come back aks fâ Baba. I make sure jâdonâ git taken again.â
Skully took the spring knife out of his pocket and showed it to Baba. âHey, B, I know itâs a bit tarnished, but the spring is good. Clean anâ sharpen it. Wanna give me two bags for it?â
âThat no open from thee front, poppa. I no likeââ
âOne bag! Man, Iâm sick as shit. Thatâs all I have. I gotta go to work!â
âSo come back lata.â
âCanât. I work in the Bronx. If I donât show Iâm fucked. Gimme one bag and a token for the train and itâs yours.â
Baba clicked the blade out and examined it. It was dull and dirty but would take an edge.
âWaiâ here. I get jâuno bag Green Tape. Jâgotta gimmick?â
âYeah,â Skully said, feeling the anticipation of relief.
âGreen run good today. Jâbe fine,â Baba said. He ducked out and slid down the basement where the Green Tape crew stored their material. He came back and led Skully into the building heâd been mugged in. âThereâs a gallery upstairs, poppa, buâ dey charge three bucks. We go in here. Nobody in this dump.â
They walked up one flight and into a rank empty apartment. Skully
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