…’), Mrs Eszter saw straight to the heart of their opposition, understanding that their impotence and craven servility sprang from an unreasonable, though, to them, justified, fear of all enterprise that aimed at general renewal, a renewal which, to them, might look like general decay, for in all passionate espousals of the new, people were liable to detect traces of an equally passionate drift towards chaos, and—quite rightly—suspect that the powers unleashed, instead of protecting that which was irrecoverably dead and buried, would smash it to pieces in the good cause of replacing the featureless boredom of their selfish lives with ‘the elevating passion of communal action’. One couldn’t deny that in this evaluation of the unusual and anarchic events of the immediate past—her confidant, the captain, and one or two right-minded people excepted—she probably stood alone in the town, but this gave her no cause for concern, nor did she think it necessary to reconsider her position, because something whispered to her that ‘the victory that justified all’ would not be long delayed. As to the question of what this victory would consist of, she could not have answered it in one or two simple sentences, but her faith was so firm that however resistant or numerous ‘these refined coteries of slippered old pantaloons’ might be she would not be cowed, for not only had she really nothing to fear from them, but she knew full well that the true enemy—and this was why this battle for hearts and minds had become such a personal struggle for her—was György Eszter himself, a man generally regarded as an eccentric hermit living in absolute isolation, but in fact merely sickly and lazy, Eszter, her semi-respectable husband-in-name, who, unlike her, ‘had no record whatsoever of involvement in civic affairs’—who had attained an ambiguous celebrity in town by spending years lying in bed so that (‘let us say’) once a week he could take a peek out of his window … Could he be the true enemy? He was more than that: for Mrs Eszter he was both ‘the hopeless and insurmountable walls of hell’, and, at the same time, her only hope of maintaining her well-earned place among the most influential citizens, in other words a snare, the perfect, faultless trap whose effectiveness it was vain to doubt, one she could neither escape nor wreck. Because, now, as always, Eszter continued to be the key to the operation, the decisive link in the chain of the fulfilment of her high ambition, the very man who, years ago, when, owing to what he called his ‘back problems’, gave up the directorship of the local school of music, told her quite simply and with boundless cynicism that he ‘no longer required her household services’, and she had had to dig deep into their savings to rent herself a flat by the marketplace, the very man who, to compound his deed—as an act of revenge, for what else could it be?—abandoned such few commitments as they had shared, and resigned his post as director of the town’s orchestra, because, apparently, as she was to hear from others, he was no longer interested in anything but music and did not wish to take up his time with other things although Mrs Eszter, if anyone, could have told the world what ear-splittingly false notes he jangled out on that del-i-ber-at-ely out-of-tune piano, only, of course, if and when he could bring himself to rouse that body of his, enfeebled as it was by his habit of lounging about, and extricate himself from his monstrous piles of soft cushions and travelling rugs. When she thought back on all those years of endless humiliation, she would happily have given anything to have taken a handy axe and chopped her insufferable husband into tiny pieces there where he lay, but she knew very well that this was the one expedient not even remotely open to her since she had to admit that without Eszter the town would remain closed to her, and that whatever she set her
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