The Museum of Innocence

The Museum of Innocence by Orhan Pamuk Page B

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Authors: Orhan Pamuk
Tags: Fiction, Literary
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greatly, so we never get upset at his jokes. Your jokes don’t upset me either. I’ll answer your question with an example. Have you seen the film called The Prophet Abraham?”
    “No.”
    “No, of course not—you’d never go to a film like that. But you should see this film and take this little lady with you. You won’t be bored…. Ekrem Güçlü plays Abraham. We took the whole family—my wife, my mother-in-law, and all our children—and we all cried to our hearts’ content. When Abraham took out his knife and looked at his son, we all cried then, too…. And when Ismail said, ‘Dear Father, do whatever God commands!’ just like he does in the Glorious Kuran … we cried again. Then, when the sacrificial lamb appeared in the place of the son who was to have been slaughtered, we wept with joy, together with everyone else in the cinema. If we give what we treasure most to a Being we love with all our hearts, if we can do that without expecting anything in return, then the world becomes a beautiful place, and that, little lady, is why we were crying.”
    I remember going from Fatih to Edirnekapı, and from there we turned right to follow the city walls all the way to the Golden Horn. As we passed the poor neighborhoods, as we advanced along the crumbling city walls, the three of us fell silent, and we remained so for a very long time. As we gazed upon the orchards between the old castle walls, and the empty lots strewn with rubbish, discarded barrels, and debris, and the run-down factories and workshops, we saw the occasional slaughtered lamb, and skins that had been tossed to one side, with their innards and horns, but in the poor neighborhoods, with their unpainted wooden houses, there was less sacrifice, and more festivity. I remember how delighted Füsun and I were to look out over the lots where carousels and swings had been set up for the celebrations, and at the children buying gum with their holiday money, and the Turkish flags set like little horns on the tops of buses, and all the scenes that I would later find in photographs and postcards, and collect so ardently.
    As we drove up Şişhane Hill a crowd was milling in the middle of the road and the traffic had come to a standstill. At first I thought it was another holiday gathering, but when the crowd parted before us we found ourselves right beside two vehicles that had crashed only moments ago, and the dying victims. The truck’s brakes had failed, and the driver had swerved into the oncoming lane, then mercilessly plowed into a private car.
    “God is great!” said Çetin Efendi. “Please, little lady, make sure you do not look.”
    We caught a glimpse of someone still trapped inside the car, whose front was completely crushed, her head bobbing as she fought for her life. I shall never forget the crunch of shattered glass under our tires as we drove on or the quiet that followed. We hurried on up the hill, and as we sped through the deserted streets from Taksim to Nişantaşı, it was as if in flight from death itself.
    “Where have you been all this time?” my father asked. “We were getting worried. Did you get the liqueur?”
    “It’s in the kitchen!” I said. The sitting room smelled of perfume, cologne, and carpet. As I joined the crowd of relations, I forgot all about little Füsun.

12
    Kissing on the Lips
    THE FOLLOWING afternoon, Füsun and I reminisced again about our drive around the city on that holiday morning six years earlier, before giving ourselves over to kisses and lovemaking. As the linden-scented breeze rustled through the tulle curtains to lap against her honey-colored skin, I was driven to distraction by the way she clung to me with all her strength, as to a life raft, eyes tightly shut, and I could neither see nor reflect on the deeper meaning of what I was experiencing. Still I concluded that if I was to avoid sinking into the dangerous depths where guilt and suspicion serve only to induce the helplessness of love, I

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