which rooms could be sealed off with little alteration: how the rewiring could be run behind the skirting boards and how an electrolyte circuit worked perfectly as damp course.
âIt turns the house into a dry battery,â Cassidy explained. âItâs not cheap but then what is these days?â
âYou know an awful lot about it,â said Helen. âAre you an architect by any chance?â
âI just love old things,â said Cassidy.
Behind them, hands clasped, Shamus was chanting the Magnificat.
4
â Y ouâre a lovely man,â Shamus says quietly, offering him a drink from the bottle. âYouâre really a lovely perfect man. Tell us, do you have any theories on the general nature of love?â Tell us, do you have any theories on the general nature of love?â
The two men are on the Minstrel Gallery. Helen stands below them, gazing through the window, her eyes upon the long view of the chestnut walk.
âWell I think I understand how you feel about the house. Letâs put it that way, shall we?â Cassidy suggests with a smile.
âOh but itâs worse for her, though, far.â
âIs it?â
âUs men, you know, weâre survivors. Cope with anything really canât we? But them, eh, them.â
She has her back to them still: the last light from the window shines through the thin housecoat and shows the outline of her nakedness.
âA woman needs a home,â Shamus pronounces philosophically. âCars, bank accounts. Kids. Itâs a crime to deprive them of it, thatâs my view. I mean how else are they fulfilled? Thatâs what I say.â
One black eyebrow has risen slightly and it occurs to Cassidy, but not with particular force, that Shamus is in some way mocking him, though how is not yet clear.
âIâm sure itâll work out,â says Cassidy blandly.
âTell me, have you ever had two at once?â
âTwo what?â
âWomen.â
âIâm afraid not,â says Cassidy very shocked; not by the notion, which he has quite often entertained, but by the context in which it is expressed. Could any man blessed with Helen think so base?
âOr three?â
âNot three either.â
âDo you play golf at all?â
âNow and then.â
âHow about squash? Would squash be a game you play?â
âYes, why?â
âI like you to keep fit thatâs all.â
âShouldnât we go down? I think sheâs waiting.â
âOh, lover,â says Shamus softly as he takes another pull from the bottle. âA girl like thatâll wait all night for the likes of you and me.â
Â
âCouldnât you give it to the National Trust?â Cassidy asked loudly in his boardroom voice as they descended the rickety staircase. âI thought there was some arrangement whereby they maintain the house and let you live in it on condition that you open it to the public so many days a year.â
âAh, the buggers would stink the place out,â Shamus retorted. âWe tried it once. The kids peed on the Aubusson and the parents had it off in the orangerie.â
âYou have to pay something for upkeep as well,â Helen explained with another of those appealing glances at her husband that were so sadly eloquent of her distress.
Â
Pee-break, Shamus called it. They had left Helen in the drawing room staunching the smoking fire and now they stood shoulder to shoulder at the edge of the moat, listening to their own water trickling over the dry stones. The night was of an alpine majesty. With shaggy splendour the black house rose in countless peaks against the pale sky, where powdery swarms of stars followed the moonlit ridges of the clouds like fireflies frozen into the eternal ice. At their feet a white dew glistened on the uncut grass.
âThe heaventree of stars,â said Shamus. âHung with humid nightree
Glen Cook
Lee McGeorge
Stephanie Rowe
Richard Gordon
G. A. Hauser
David Leadbeater
Mary Carter
Elizabeth J. Duncan
Tianna Xander
Sandy Nathan