what to say to the big ex-sailor.
âYeah, great,â Karl says. âThanks again for changing her oil.â
âMy pleasure.â
Two heartbeats go by.
âMustang running all right?â Karl says, nodding at Andrewâs car.
âYes, sir.â
âSure is a nice one.â
âThanks.â
âTurquoise was an interesting choice.â
âThatâs how she came.â
âPaint jobs are pricey.â
âThey can be.â
Two more heartbeats.
âYou need any juice or maybe a glass of water? Must be thirsty. Hot as heck out here.â
It really isnât all that hot.
âWater would be great.â
Both men start to get up, but Anneke gently puts her hand on her dadâs shoulder so he keeps his seat.
She goes to get the water.
âSo,â Karl says, looking back at the door to make sure Anneke isnât coming yet. Heâs winding up to ask something awkward, and Andrewâs skin crawls.
How does he make me feel twelve and tongue-tied?
âYes, sir?â
Again with the
sir
.
This kid doesnât
sir
anybody else, Iâd bet on it.
Knows I served and wants me to like him.
Kid hell, heâs like forty, just wears his hair long so he looks like Pocahontas. Probably puts shoe polish in it.
Probably uses moisturizer and plucks his eyebrows, too.
Goes down to the day spa in Syracuse.
I can see this guy getting a pedicure.
I want to like him, I do.
Anneke sure spends enough time with him.
Guy and a girl donât spend that kind a time together without.
Is he?
I kinda hope he is.
âAre you and Anneke . . . ?â
âSir?â
Thereâs no way in hell.
A guy like this.
Unless she likes him âcause he looks a little like a girl.
I donât even know if it works that way.
Shit, here she comes.
âAre you staying for dinner?â
Anneke hands Andrew a water glass with faded sunflowers painted on it, the last one of the eight-piece set from her childhood.
âYou know we are, Dad.â
But only Anneke spends the night.
20
Night.
Andrew opens his eyes in the near-darkness of his own house, two wicks of his three-wick bedside pillar candle still alight, nearly but not quite drowned in red wax.
His paperback copy of
The Baron in the Trees
lies open facedown on the pillow.
Something is watching him.
He knows what.
He also knows itâs three in the morning.
Thatâs when it most often comes.
âIchabod.â
The entity doesnât respond.
âIchabod, say something.â
âSomething.â
It has chosen a little girlâs voice.
âManifest in a form I wonât find disagreeable.â
â
Ja, mein
Captain,â it says.
A gently glowing Katzenjammer Kid, the blond one, appears, sitting on Andrewâs leather chair, its legs primly crossed at the knee. While Andrew appreciates the novelty of seeing the little German cartoon boy in 3-D, it
is
mildly disturbing. Perhaps a catâs whisker shy of being
disagreeable
.
Ichabod has a sniperâs precision when it comes to causing unease.
Ichabod
isnât its name, of course, but then neither was the long Sumerian name whose first three syllables sounded vaguely like
Ichabod
.
âDid you touch my foot?â
âJust playing little piggies.â
âI donât like that.â
âIt seemed the gentlest way to wake you.â
âDonât do it again.â
âIs that a command?â
âYes. Are you going to insist on protocol?â
âNot this time. It seems a modest enough request. Note to myself: no touching Master Andrewâs sleeping piggies. Check. Anything else?â
Andrew sits up, gathering the sheet around him.
âTell me why youâre here.â
âWhat, here?â it says, and now the Katzenjammer Kid is sitting in bed next to Andrew, hands on lap, looking like a child who wants to be read a story. It gives off cold like a ham just out of
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