her mothering I was able to accept.
Poor Mother. I rejected her as much as she rejected me—and for the same reason. Neither of us could bear the other with Jonny gone—or, rather, neither of us could bear that he had gone and we were, each of us, the reminder that he had. It was years before it occurred to me that my mother believed I blamed her for Jonny’s death every bit as much as I believed she blamed me. After all, it was she who had been uncharacteristically ill that fatal morning and allowed her two small sons to go off unsupervised.
Maybe I did blame her? I can’t be sure. There’s so little I am sure of now, but I was surer in the St Christopher days. I was sure, for example, that the business of Elizabeth Cruikshank’s marriage was unimportant. It wasn’t, I would have bet my pension on it, the relationship with Neil which had left her knocking at death’s door.
As we spoke, that afternoon, I was aware that I had come to associate his name with the onset of lethargy. Drowsiness stole through me, and I began to feel impatience over the man whose impression remained too nebulous to be the centre of the mystery which had brought his wife to me. As we sat with the room darkening round us, I had an acute sense of her feeding me titbits of trivia.
‘We lived in Hampstead at first. But we moved to be near Neil’s parents.’
‘Did you miss Hampstead?’
‘I missed the Heath.’
None of this told me more than that she was still unwilling to let me into the circumstances of her concealed catastrophe. And, indeed, I had no right to any inroad into it. Besides, there’s a rhythm to all nature, including human nature, and like a good naturalist a prudent analyst knows how to wait.
‘How long were you and Neil together before you married?’
‘A few months? I can’t remember.’
‘He doesn’t seem to have left much impression on your memory.’
‘Neil was all right. It was me that was wrong.’
‘In what way “wrong”?’ I tried to keep the note of curiosity out of my voice but by now I longed to know.
It had grown too dark to see her distinctly and, reluctantly, as I try to avoid artificial light as long as possible, I switched on the bronze lamp, in the figure of Hermes, which I had on the table by my chair.
I’m fond of this lamp. I bought it in Paris when I once took Bar Buirski there, while she was still Bar Blake.
Outside, I made out the shape of the ginger tom poised on the fence and beside him, in weird juxtaposition, I could see a reflection of my lamp and my patient in the blue armchair, the few feet between us expanded into an unnavigable mirage of air.
At that moment she began to speak, and, as she did so, the cat dropped down to merge with her image in the glass in an action so swift I almost jumped up in protest. It was as if a bird was being targeted with that intent feline spring. I can still see the orange shape leaping into the reflection of Elizabeth Cruikshank, as I can hear her near inaudible words.
‘I was faithless.’
‘Can you say more?’
‘Another time. It’s not possible now.’
8
G US RANG ME THAT EVENING WHILE O LIVIA WAS BESIDE ME in her dressing gown, her toes, like twin neat rows of glossy rubies, resting on my mother’s embroidered footstool. She’d asked my help in varnishing her nails. I sometimes think my mother was right and I’d have made a better career as a surgeon: I’ve a remarkably steady hand.
When I spoke of work in front of Olivia I was always conscious of a slight awkwardness, and there were times, more than made me quite comfortable, when I wished I could leave the room, or ask her to leave. I conducted the conversation with Gus in the shorthand I’d developed for such occasions.
‘I’ve been thinking,’ I said, ‘I’ll do that thing for you.’
‘Great stuff.’ I could tell he was delighted. ‘Got someone up your sleeve?’
‘Exactly how long have I got?’
‘The back end of May. No need for any
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