The Pistoleer
everything. One time I hear Jerry Ostermann yell, “Blackjack! I got blackjack!” Everybody else laughs and curses him for a damn fool. “How do you reckon we’re playing blackjack, you asshole,” Frank says, “when you got five fucking cards dealt to you? Answer me that.” Well, Jerry thinks it over for a moment, his face all twisted in hard thought. Then he brightens and says, “Well, hell, I thought it was a sporting new way of playing the game!”
    A half hour later Frank suddenly jumps up and hollers that he’s by God had enough of Vernon Leaky’s cheating. Now Vernon, he owns the Hotel Lee up the street and is one of the few truly honest men I ever met. How he got into a game with fellas such as these I can’t say—except that he’d been drinking harder than usual, which is sufficient explanation for almost any stupidity a man might do. He turns white as his collar, he does, when Frank calls him a cheat.
    “Frank,” he says in his high voice. “Frank, I’m not cheating.” Frank stands there, swaying a bit and looking hard at him, and says, “Last time I heard some sorry sonbitch say that, turned out he had three aces up his sleeve.” The Hardin fella’s watching all this with his chin in his hand and a big smile on his face.
    “But, Frank,” Vernon says, “how can you think I’m cheating? You’re doing all the winning!” Frank looks at his own stack of money and sees it’s for sure the biggest on the table, so he grins a bit sheepish, he does, and says, “Be goddamn.” He sits down and says, “Hell, maybe I’m the one’s doing all the damn cheating.” Like I say, drunk as lords, the bunch of them, and it’s still early yet.
    All right then, by eleven o’clock the place is packed. The pianola’s plunking one tune after another and the bar’s two deep from end to end. The smoke in the place is thick as Dublin fog. There’s already been a couple of fistfights, but nothing serious and not much broken except one fella’s arm and a beer mug or two. Behind the bar I’m as busy as a one-legged man in an arse-kicking contest.
    All of a sudden it seemed the pianola was a good bit louder, and then I see most of the fellas have shut up and are staring hard at some Yank soldiers I never even saw come in—six of them, including a pair of woolies, moving slow and careful through the parting crowd, all of them armed with repeaters, heading for the rear of the room. I glanced at the back door and saw three more blues already there. Jerry and Vernon were staring big-eyed at the Yanks as they closed in on them. Frank had his head down on his pile of money and was singing loudly to the tune on the pianola—“My Darlin’ Clementine.” The Hardin fella was nowhere in sight.
    The Yank in charge—a bloody big brute of a sergeant, he was—motioned for Jerry and Vernon to get away from the table, and they bolted like rabbits. The Yanks formed a half circle about Frank with their rifles raised and ready. Now the only sound in the room was the music and Frank’s awful singing. The sergeant gave the table a hell of a kick and some of the money went clattering to the floor. But the kick got Frank’s attention, all right. He looks up, his face all sodden with drink, and stares around at all the carbines pointed at him. “Well now, shit,” he says, and straightens up in his chair—and every one of the Yanks draws back the hammer on his weapon. At the sound of all those cocking rifles, I thought sure the floor would be running with Frank’s blood in the next instant.
    But Frank wasn’t so drunk he couldn’t grasp how the thing stood. Any wrong move he made would be his last in the mortal world. Still, you had to hand it to Frank for brass. He says: “I ain’t gonna stand up and fucking salute, if that’s what you’re waiting for.” Looking right up the sergeant’s rifle when he says it.
    They took his gun and yanked him to his feet, but they had to hold him up or he’d have fallen on his

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