twilight was falling, he went across to the orchard to gather the daffodils. The wind was roaring in the apple trees, the yellow flowers swayed violently up and down, he heard even the fine whisper of their spears as he stooped to break the flattened, brittle stems of the flowers.
"What's to-do?" shouted a friend who met him as he left the garden gate.
"Bit of courtin', like," said Brangwen.
And Tilly, in a great state of trepidation and excitement, let the wind whisk her over the field to the big gate, whence she could watch him go.
He went up the hill and on towards the vicarage, the wind roaring through the hedges, whilst he tried to shelter his bunch of daffodils by his side. He did not think of anything, only knew that the wind was blowing.
Night was falling, the bare trees drummed and whistled. The vicar, he knew, would be in his study, the Polish woman in the kitchen, a comfortable room, with her child. In the darkest of twilight, he went through the gate and down the path where a few daffodils stooped in the wind, and shattered crocuses made a pale, colourless ravel.
There was a light streaming on to the bushes at the back from the kitchen window. He began to hesitate. How could he do this? Looking through the window, he saw her seated in the rocking-chair with the child, already in its nightdress, sitting on her knee. The fair head with its wild, fierce hair was drooping towards the fire-warmth, which reflected on the bright cheeks and clear skin of the child, who seemed to be musing, almost like a grown-up person. The mother's face was dark and still, and he saw, with a pang, that she was away back in the life that had been. The child's hair gleamed like spun glass, her face was illuminated till it seemed like wax lit up from the inside. The wind boomed strongly. Mother and child sat motionless, silent, the child staring with vacant dark eyes into the fire, the mother looking into space. The little girl was almost asleep. It was her will which kept her eyes so wide.
Suddenly she looked round, troubled, as the wind shook the house, and Brangwen saw the small lips move. The mother began to rock, he heard the slight crunch of the rockers of the chair. Then he heard the low, monotonous murmur of a song in a foreign language. Then a great burst of wind, the mother seemed to have drifted away, the child's eyes were black and dilated. Brangwen looked up at the clouds which packed in great, alarming haste across the dark sky.
Then there came the child's high, complaining, yet imperative voice:
"Don't sing that stuff, mother; I don't want to hear it."
The singing died away.
"You will go to bed," said the mother.
He saw the clinging protest of the child, the unmoved farawayness of the mother, the clinging, grasping effort of the child. Then suddenly the clear childish challenge:
"I want you to tell me a story."
The wind blew, the story began, the child nestled against the mother, Brangwen waited outside, suspended, looking at the wild waving of the trees in the wind and the gathering darkness. He had his fate to follow, he lingered there at the threshold.
The child crouched distinct and motionless, curled in against her mother, the eyes dark and unblinking among the keen wisps of hair, like a curled-up animal asleep but for the eyes. The mother sat as if in shadow, the story went on as if by itself. Brangwen stood outside seeing the night fall. He did not notice the passage of time. The hand that held the daffodils was fixed and cold.
The story came to an end, the mother rose at last, with the child clinging round her neck. She must be strong, to carry so large a child so easily. The little Anna clung round her mother's neck. The fair, strange face of the child looked over the shoulder of the mother, all asleep but the eyes, and these, wide and dark, kept up the resistance and the fight with something unseen.
When they were gone, Brangwen stirred for the first time from the place where he stood, and looked
J. A. Redmerski
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