The Reapers: A Thriller-CP-7 by John Connolly

hated to think that their feelings might be hurt. He had said as much to Arno, and Arno had apologized and had never issued a similar utterance since, but sometimes Willie wondered if Arno had been so far off the mark, all things considered. The door of the men’s room opened. Arno’s head popped through the gap.
    “The hell are you doing?” he asked.
    “Washing my hands.”
    “Well, hurry up. There’s a party waiting for you out here.” Arno paused as he saw the writing on the mirror. “Who’s Jake?” he asked. “Hey, did you write that?”
    He ducked just in time to avoid being hit by a wadded paper towel, and then Willie Brew, sixty years old and sometime associate of two of the most lethal men in the city, went out to join his birthday party.
    CHAPTER THREE
    THE INTERIOR OF NATE’S was dimly lit. It was always that way. Even in summer, when streams of harsh sunlight struck the windows, the beams seemed to melt against the glass and then drizzle like honey through the panes, their energy dissipated as though they, like the patrons inside, had, in the transition from beyond to within, absorbed just a little too much alcohol to be truly useful for the rest of the day. Apart from an area two feet square beside the double doors, no part of Nate’s had seen unfiltered natural illumination for more than half a century. And yet Nate’s was not a cheerless place. White fairy lights adorned the bar all year round, and each table was lit by a candle in a glass lamp seated on an iron bowl. The bowls were secured to the wood of the tables with inch-long screws (Nate was no fool) but the candles were scrupulously monitored, and as soon as they began to flicker they were replaced by a waitress or, on quiet evenings, by Nate himself, who was small, sixtyish, and jug-eared, and was said to have once bitten a man’s nose off in a bar fight down in Baja when he was in the Navy. No one had ever asked Nate if that was true because Nate would happily talk to anyone about ball scores, the idiots who ran the city of New York and the country whose space the city occupied, and the general well-being of friends and family, but as soon as someone tried to get more personal with him, Nate would wander off to clean glasses, or check the taps, or replenish the candles, and the unwise party who had inadvertently offended him would be left to wait on a refill and rue his brashness. Nate’s was not that kind of place, as Nate liked to point out, although nobody had ever managed to nail him down on just what kind of place Nate’s was, exactly. Nate liked it that way, and so did the people who frequented his bar.
    Nate’s, like its owner, was a relic of another time, when this part of Queens was predominantly Irish, before the Indians and the Afghans and the Mexicans and the Colombians came along and began carving it up into their own little enclaves. Nate wasn’t Irish, and neither was his bar: even on St. Patrick’s Day, Nate wasn’t about to change his white fairy lights for green ones, or begin drawing shamrocks on the heads of his patrons’ beer. No, it was more to do with a certain state of mind, a particular attitude. Surrounded by foreign smells and strange accents, in a city that was constantly changing, Nate’s represented solidity. It was an old-world bar. You came here to drink, and to eat good, simple food that didn’t pander to dietary fads or concerns about cholesterol. You behaved yourself. If you used foul language, you kept your voice down, particularly if there were ladies present. You paid your tab at the end of the night, and you tipped appropriately. The chairs were comfortable, the restrooms, occasional graffiti apart, were clean, and Nate’s pouring hand was neither too heavy nor too light. He made good cocktails, but he didn’t do shooters. “You want shooters, go to Hooters,” as he once told some college kids who had made the mistake of asking for a tray of Dive Bombers. In fact, as Nate said later,