reserved only for a president who fell victim to a coup or one of those rare intellectuals who could also be a man of action. I took all possible precautions before announcing to my mother that my father had died. First she turned a deaf ear to me. Then took it out on the messenger. The distance is so slight between lengthy absence and death that I didnât take enough care to consider the effect the news would have on her. My mother wonât look at me. I watch her long delicate hands. She slides her wedding band on and off her finger and hums so softly I have trouble understanding the words of her song. Her gaze is lost in the clump of oleander that reminds her of a time when I did not yet exist. The time before. Is she recalling those days when she was a carefree young woman? Her fleeting smile moves me more than tears. I hear my mother singing from the room next door. The news of my fatherâs death has finally reached her consciousness. Sorrow is her daily escort, the empty days alternating with the magic of the first smile. Everything resurfaces. I finally catch a few words of my motherâs song that speaks of panicked sailors, rough seas and a miracle just when all hope seems lost. She likes to listen to the radio on the little set I sent her a few years back. Tuned to the same prayer station. She listens only to sermons and religious music except for Chansons dâautrefois, the show where the singers hit notes so high they make the old dog whimper from under the chair where it sleeps. I go back and forth from the hotel to the house hidden behind the oleander. My mother is surprised I wonât stay with her. Itâs because I donât want to give her the illusion weâre living together again when my life has gone on without her for so long. I keep coming back to her in everything I write. I spend my life interpreting the slightest shadow on her brow. Even from a distance.
Her Sadness Dances As I get dressed I think of that woman who spent her life taking care of other people. Itâs a way of hiding too. Now for the first time she is laid bare. My mother in her naked pain. Iâm in a friendâs car on the way to her house. I remember we never listened to music back then. The radio was just for the news. All it played were the same speeches celebrating the glory of the President. They went so far we sometimes wondered whether he didnât smile at all that flattery. He was compared to the greatest men, even to Jesus once. My mother reacted with a burst of dry laughter. We had to pretend we were listening so the neighbors wouldnât suspect us of not supporting the regime. We turned up the volume. Our neighbors did the same. An atmosphere of collective paranoia. Those were dark years. Our blood ran cold every time we heard classical music. Right after, they would announce a failed coup, which was always a pretext for carnage. I ended up associating classical music with violent death. Every morning, on the radio, a stentorian voice would remind us of our oath to the flag followed by the nasal voice of Duvalier himself who would declare âI am the flag, one and indivisible.â Iâve been allergic to political speeches ever since. I picture my mother dancing with a chair in the shadows of the little living room. She dances her sadness at five oâclock in the afternoon. Like a Lorca poem about Francoâs bloody nights. My mother loved numbers. Every morning she made her budget of the dayâs expenses in a school notebook. Since she was always short of money, having lost her job right after my father left, she spent hours counting and recounting the few coins she had. Endless calculations. I do the same thing today, but with words. The bank was farther from my mother than the dictionary is from my hand. The neighbor boy lets me know with a nod of his head that my mother has fallen asleep