back on the subject. One last question: is it better to write by hand or on a computer? Itâs always better to read. Okay, I can see Iâm not going to get anything out of you, he says, then takes a Carter Brown novel from the shelf and heads for the bathroom.
On the little gallery.
I am sitting.
He is standing.
A respectful distance.
You never talk about your times.
I donât have a time.
We all do.
Iâm sitting here with you, thatâs my time.
The cry of a bird that canât stand
the noonday heat.
My aunt takes me aside,
in a dim room
where the furniture is covered with white sheets,
and rattles on and on about some
endless family saga
whose protagonists
are unknown to me and whose claims
are so confusing
that even she gets lost.
Itâs like being in a novel
by a sloppy writer.
My nephew goes to meet a friend
by the gate.
I watch them talking.
Their affection
for each other.
They share the same tough choice:
stay or go.
City of Talk
This man sitting alone,
his back against the gate,
is soon joined by a stranger
who begins telling him all sorts of things
that make absolutely no sense.
Hunting down the solitary man
is a collective passion
in any overcrowded city.
A tank truck parked
on the sidewalk across the way.
I watch my mother
favoring one leg
cross the street to
buy bottled water.
I never knew crossing a street
required so much willpower.
Christian, a nine-year-old neighbor
who spends a lot of time at our house,
comes and sits next to me.
We go almost an hour without talking.
A good breeze blows through the leaves.
I soon drift off.
The boy slipped away so quietly
I thought Iâd dreamed him up.
My nephew tells me
he burned his first novel.
All good writers start by
being pitiless critics.
Now he has to learn
a little compassion for his work.
My nephew and I sit together on his squeaky narrow bed. I read detective novels, thatâs how I relax after a day at the university. A lot of hard work? Actually, we donât do anything at all. What do you do? Everyone is waiting for their American visa, and once they get it, even if itâs in the middle of an exam, they take off.
A leaf, near me,
falls.
No sound.
What elegance!
A dull thud.
The noise a fat lizard makes
as it falls by my chair.
We consider each other a moment.
In the end it gets interested
in a spinning fly.
I listen to the radio.
A silky voice like a veil
that obscures the truth without managing to hide it.
People always have some story to tell
in a country where words are
the only thing they can share.
The music dies suddenly.
No sound.
Emptiness.
A power failure?
Endless silence in the street.
Then a cry of pain from the young girl next door.
To be able to hear silence this loud
in a city of talk
means so many people had to
keep quiet at the same time.
The radio announces
the death of a young musician
beloved by the public.
My nephew knew him well
having shared with him
for a brief moment
a girlâs heart.
My nephew changes clothes quickly. My motherâs worried look. The banged-up Chevrolet parks on the sidewalk across the way. Five of them are inside. Two girls in back. My nephew slips in between them. His face immediately transformed. The car pulls away. On the radio is the singer who just died. My sister looks straight ahead without a word. Now I see what my motherâs face looked like when I went out like that on a Saturday night. We would cross paths near Saint-Alexandre Square, on Sunday morning, as she was going to church and I was coming back from a party.
My Motherâs Song
We are on the gallery.
By the oleander.
My mother is speaking to me softly of Jesus,
the man who replaced her husband
in exile for the last fifty years.
In the distance the voice of a woman selling baubles.
Every family has its absent member in the group portrait. Papa Doc introduced exile to the middle class. Before, such a fate was
Susan Squires
Kat Beyer
Shea Berkley
Allison Hurd
Alan Brooke, David Brandon
Michael Calvin
Alison Littlewood
Carrie Williams
Elaine Viets
Mina Khan