The Sense of an Ending

The Sense of an Ending by Julian Barnes

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Authors: Julian Barnes
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do it?’
    ‘He cut his wrists in the bath.’
    ‘Christ. That’s sort of … Greek, isn’t it? Or was that hemlock?’
    ‘More the exemplary Roman, I’d say. Opening the vein. And he knew how to do it. You have to cut diagonally. If you cut straight across, you can lose consciousness and the wound closes up and you’ve bogged it.’
    ‘Perhaps you just drown instead.’
    ‘Even so – second prize,’ said Alex. ‘Adrian would have wanted first.’ He was right: first-class degree, first-class suicide.
    He’d killed himself in a flat he shared with two fellow postgraduates. The others had gone away for the weekend, so Adrian had plenty of time to prepare. He’d written his letter to the coroner, pinned a notice to the bathroom door reading ‘DO NOT ENTER – CALL POLICE – ADRIAN’, run a bath, locked the door, cut his wrists in the hot water, bled to death. He was found a day and a half later.
    Alex showed me a clipping from the Cambridge Evening News . ‘Tragic Death of “Promising” Young Man’. They probably kept that headline permanently set up in type. The verdict of the coroner’s inquest had been that Adrian Finn (22) had killed himself ‘while the balance of his mind was disturbed’. I remember how angry that conventional phrase made me: I would have sworn on oath that Adrian’s was the one mind which would never lose its balance. But in the law’s view, if you killed yourself you were by definition mad, at least at the time you were committing the act. The law, and society, and religion all said it was impossible to be sane, healthy, and kill yourself. Perhaps those authorities feared that the suicide’s reasoning might impugn the nature and value of life as organised by the state which paid the coroner? And then, since you had been declared temporarily mad, your reasons for killing yourself were also assumed to be mad. So I doubt anyone paid much attention to Adrian’s argument, with its references to philosophers ancient and modern, about the superiority of the intervening act over the unworthy passivity of merely letting life happen to you.
    Adrian had apologised to the police for inconveniencing them, and thanked the coroner for making his last words public. He also asked to be cremated, and for his ashes to be scattered, since the swift destruction of the body was also a philosopher’s active choice, and preferable to the supine waiting for natural decomposition in the ground.
    ‘Did you go? To the funeral?’
    ‘Not invited. Nor was Colin. Family only, and all that.’
    ‘What do we think?’
    ‘Well, it’s the family’s right, I suppose.’
    ‘No, not about that. About his reasons.’
    Alex took a sip of his beer. ‘I couldn’t decide whether it’s fucking impressive or a fucking terrible waste.’
    ‘And did you? Decide?’
    ‘Well, it could be both.’
    ‘What I can’t work out,’ I said, ‘is if it’s something complete in itself – I don’t mean self-regarding but, you know, just involving Adrian – or something that contains an implicit criticism of everyone else. Of us.’ I looked at Alex.
    ‘Well, it could be both.’
    ‘Stop saying that.’
    ‘I wonder what his philosophy tutors thought. Whether they felt in any way responsible. It was his brain they trained, after all.’
    ‘When did you last see him?’
    ‘About three months before he died. Right where you’re sitting. That’s why I suggested it.’
    ‘So he was going down to Chislehurst. How did he seem?’
    ‘Cheerful. Happy. Like himself, only more so. As we said goodbye, he told me he was in love.’
    The bitch, I thought. If there was one woman in the entire world a man could fall in love with and still think life worth refusing, it was Veronica.
    ‘What did he say about her?’
    ‘Nothing. You know how he was.’
    ‘Did he tell you I wrote him a letter telling him where to shove it?’
    ‘No, but it doesn’t surprise me.’
    ‘What, that I wrote it, or that he didn’t tell

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