The Singing

The Singing by Alison Croggon Page B

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Authors: Alison Croggon
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Dernhil. Reading your poems is not the same as talking to you. My cousin Dharin will never come back. I'll never see my mother or my father again, no matter how much I want to. Maybe all of us will die in this battle. And I know I'm just talking to empty space; I know you are not here. I think that perhaps, somewhere, in some other place where time is different, you might hear what I say and smile, and that comforts me a little. I know that's a stupid thought, but I think it all the same. Maybe it's not so stupid. I don't know ... I just wish, with all my heart, that you were here and that I could talk to you and tell you these things."
    Maerad fell silent and sat for a long time at the desk, with her head in her hands. Finally she stood up and went to the door, turning for a last look at Dernhil's empty room. "Farewell, my friend," she whispered, and closed the door behind her.
    When she returned to her room, Maerad emptied her pack and laid out all her possessions on her bed. As a slave, she hadn't owned anything beyond the clothes she wore and her lyre, and she still felt a faint disbelief at her comparative riches, even if they could all be put into one bag. The objects laid out on her bed were like a tangible diary of her life.
    Most precious of all was her lyre, lying snugly inside the leather case that Cadvan had given her. She put Dernhil's book next to it, and then her new sword, Eled. There were oddments like her kit for the horses, and a water bottle, and a flask of medhyl, the herbed drink that Bards used to ward off weariness when traveling. There were her spare clothes, now newly washed and folded. Some of her possessions were gifts that she wore: the white stone that hung from a slender chain around her neck, a present from Silvia; the exquisite golden ring that the Elidhu Queen Ardina had given her, which she wore on her right hand; also from Ardina a rustic reed flute; a small fish carved of ivory, a gift from the Wise Kindred, whom she had visited far in the north, seeking knowledge of the Treesong from their wise man, Inka-Reb. She put next to that the blackstone she had taken from a Hull in Thorold. The blackstone was a strange object made of albarac, a mineral valued among Bards because it could deflect or absorb magery. She stroked the stone's surface with her fingertip: it was more like the absence of something than an object, neither cold nor warm, rough nor smooth. It was attached to a silver chain, but she felt there was something uncanny about it, and she never wore it. She wondered if she would ever use it.
    There were things that were missing, because she had given them away: a little wooden cat that she had given to Mirka, the old woman who had cared for her in the mountains when she had nearly died; and the silver brooch with the arum lilies, the sign of the School of Pellinor, that she had given to Nim, a young man who had been one of her Jussack captors, and who had been kind to her. That had been a princely gift: the brooch had been given to her by Oron herself. But, somehow, Maerad was sure that Oron would have understood: Innail was a School that set great, unspoken store on kindness.
    She studied her possessions for a while, and then, one by one, put them back in her pack with the pen she had taken from Dernhil's chamber, wondering if she would ever have a room of her own in which to keep them. Innail was the first place, in almost a year of traveling, to which she had returned. Cadvan and she would be off any day now, and perhaps she would never see it again. She felt as if she had been traveling forever. Perhaps, when all this was finished, if she survived it, she could begin to make a home ...
    She pushed that thought away. If she followed it, she would end up wallowing in self-pity. Tonight, she knew, Malgorn and Silvia had invited some other Bards from the First Circle for a meal, and she should bathe first. Maerad's habit was to have a bath whenever it was possible; sometimes in

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