knitting.
‘It was really that little fact that put me on the right scent,’ she said. She looked across at Raymond.
‘When you are a householder, dear, and have a garden of your own, you will know these little things.’
Chapter 4
The Bloodstained Pavement
‘It’s curious,’ said Joyce Lemprière, ‘but I hardly like telling you my story. It happened a long time ago—five years ago to be exact—but it’s sort of haunted me ever since. The smiling, bright, top part of it—and the hidden gruesomeness underneath. And the queer thing is that the sketch I painted at the time has become tinged with the same atmosphere. When you look at it first it is just a rough sketch of a little steep Cornish street with the sunlight on it. But if you look long enough at it something sinister creeps in. I have never sold it but I never look at it. It lives in the studio in a corner with its face to the wall.
‘The name of the place was Rathole. It is a queer little Cornish fishing village, very picturesque—too picturesque perhaps. There is rather too much of the atmosphere of “Ye Olde Cornish Tea House” about it. It has shops with bobbed-headed girls in smocks doinghand-illuminated mottoes on parchment. It is pretty and it is quaint, but it is very self-consciously so.’
‘Don’t I know,’ said Raymond West, groaning. ‘The curse of the charabanc, I suppose. No matter how narrow the lanes leading down to them no picturesque village is safe.’
Joyce nodded.
‘They are narrow lanes that lead down to Rathole and very steep, like the side of a house. Well, to get on with my story. I had come down to Cornwall for a fortnight, to sketch. There is an old inn in Rathole, The Polharwith Arms. It was supposed to be the only house left standing by the Spaniards when they shelled the place in fifteen hundred and something.’
‘Not shelled,’ said Raymond West, frowning. ‘Do try to be historically accurate, Joyce.’
‘Well, at all events they landed guns somewhere along the coast and they fired them and the houses fell down. Anyway that is not the point. The inn was a wonderful old place with a kind of porch in front built on four pillars. I got a very good pitch and was just settling down to work when a car came creeping and twisting down the hill. Of course, it would stop before the inn—just where it was most awkward for me. The people got out—a man and a woman—I didn’t notice them particularly. She had a kind of mauve linen dress on and a mauve hat.
‘Presently the man came out again and to my great thankfulness drove the car down to the quay and left it there. He strolled back past me towards the inn. Just at that moment another beastly car came twisting down, and a woman got out of it dressed in the brightest chintz frock I have ever seen, scarlet poinsettias, I think they were, and she had on one of those big native straw hats—Cuban, aren’t they?—in very bright scarlet.
‘This woman didn’t stop in front of the inn but drove the car farther down the street towards the other one. Then she got out and the man seeing her gave an astonished shout. “Carol,” he cried, “in the name of all that is wonderful. Fancy meeting you in this out-of-the-way spot. I haven’t seen you for years. Hello, there’s Margery—my wife, you know. You must come and meet her.”
‘They went up the street towards the inn side by side, and I saw the other woman had just come out of the door and was moving down towards them. I had had just a glimpse of the woman called Carol as she passed by me. Just enough to see a very white powdered chin and a flaming scarlet mouth and I wondered—I just wondered—if Margery would be so very pleased to meet her. I hadn’t seen Margery near to, but in the distance she looked dowdy and extra prim and proper.
‘Well, of course, it was not any of my business butyou get very queer little glimpses of life sometimes, and you can’t help speculating about them. From where they
‘It was really that little fact that put me on the right scent,’ she said. She looked across at Raymond.
‘When you are a householder, dear, and have a garden of your own, you will know these little things.’
Chapter 4
The Bloodstained Pavement
‘It’s curious,’ said Joyce Lemprière, ‘but I hardly like telling you my story. It happened a long time ago—five years ago to be exact—but it’s sort of haunted me ever since. The smiling, bright, top part of it—and the hidden gruesomeness underneath. And the queer thing is that the sketch I painted at the time has become tinged with the same atmosphere. When you look at it first it is just a rough sketch of a little steep Cornish street with the sunlight on it. But if you look long enough at it something sinister creeps in. I have never sold it but I never look at it. It lives in the studio in a corner with its face to the wall.
‘The name of the place was Rathole. It is a queer little Cornish fishing village, very picturesque—too picturesque perhaps. There is rather too much of the atmosphere of “Ye Olde Cornish Tea House” about it. It has shops with bobbed-headed girls in smocks doinghand-illuminated mottoes on parchment. It is pretty and it is quaint, but it is very self-consciously so.’
‘Don’t I know,’ said Raymond West, groaning. ‘The curse of the charabanc, I suppose. No matter how narrow the lanes leading down to them no picturesque village is safe.’
Joyce nodded.
‘They are narrow lanes that lead down to Rathole and very steep, like the side of a house. Well, to get on with my story. I had come down to Cornwall for a fortnight, to sketch. There is an old inn in Rathole, The Polharwith Arms. It was supposed to be the only house left standing by the Spaniards when they shelled the place in fifteen hundred and something.’
‘Not shelled,’ said Raymond West, frowning. ‘Do try to be historically accurate, Joyce.’
‘Well, at all events they landed guns somewhere along the coast and they fired them and the houses fell down. Anyway that is not the point. The inn was a wonderful old place with a kind of porch in front built on four pillars. I got a very good pitch and was just settling down to work when a car came creeping and twisting down the hill. Of course, it would stop before the inn—just where it was most awkward for me. The people got out—a man and a woman—I didn’t notice them particularly. She had a kind of mauve linen dress on and a mauve hat.
‘Presently the man came out again and to my great thankfulness drove the car down to the quay and left it there. He strolled back past me towards the inn. Just at that moment another beastly car came twisting down, and a woman got out of it dressed in the brightest chintz frock I have ever seen, scarlet poinsettias, I think they were, and she had on one of those big native straw hats—Cuban, aren’t they?—in very bright scarlet.
‘This woman didn’t stop in front of the inn but drove the car farther down the street towards the other one. Then she got out and the man seeing her gave an astonished shout. “Carol,” he cried, “in the name of all that is wonderful. Fancy meeting you in this out-of-the-way spot. I haven’t seen you for years. Hello, there’s Margery—my wife, you know. You must come and meet her.”
‘They went up the street towards the inn side by side, and I saw the other woman had just come out of the door and was moving down towards them. I had had just a glimpse of the woman called Carol as she passed by me. Just enough to see a very white powdered chin and a flaming scarlet mouth and I wondered—I just wondered—if Margery would be so very pleased to meet her. I hadn’t seen Margery near to, but in the distance she looked dowdy and extra prim and proper.
‘Well, of course, it was not any of my business butyou get very queer little glimpses of life sometimes, and you can’t help speculating about them. From where they
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