mother
Saying Won’t you come for the summer .
To compare his life and mine
Makes me feel a swine:
Oh, no one can deny
That Arnold is less selfish than I.
But wait, not so fast:
Is there such a contrast?
He was out for his own ends
Not just pleasing his friends;
And if it was such a mistake
He still did it for his own sake,
Playing his own game.
So he and I are the same,
Only I’m a better hand
At knowing what I can stand
Without them sending a van –
Or I suppose I can.
Take One Home for the Kiddies
On shallow straw, in shadeless glass,
Huddled by empty bowls, they sleep:
No dark, no dam, no earth, no grass –
Mam, get us one of them to keep .
Living toys are something novel,
But it soon wears off somehow.
Fetch the shoebox, fetch the shovel –
Mam, we’re playing funerals now .
Days
What are days for?
Days are where we live.
They come, they wake us
Time and time over.
They are to be happy in:
Where can we live but days?
Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.
MCMXIV
Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day;
And the countryside not caring:
The place-names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheat’s restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word – the men
Leaving the gardens tidy,
The thousands of marriages
Lasting a little while longer:
Never such innocence again.
Talking in Bed
Talking in bed ought to be easiest,
Lying together there goes back so far,
An emblem of two people being honest.
Yet more and more time passes silently.
Outside, the wind’s incomplete unrest
Builds and disperses clouds about the sky,
And dark towns heap up on the horizon.
None of this cares for us. Nothing shows why
At this unique distance from isolation
It becomes still more difficult to find
Words at once true and kind,
Or not untrue and not unkind.
The Large Cool Store
The large cool store selling cheap clothes
Set out in simple sizes plainly
(Knitwear, Summer Casuals, Hose,
In browns and greys, maroon and navy)
Conjures the weekday world of those
Who leave at dawn low terraced houses
Timed for factory, yard and site.
But past the heaps of shirts and trousers
Spread the stands of Modes For Night:
Machine-embroidered, thin as blouses,
Lemon, sapphire, moss-green, rose
Bri-Nylon Baby-Dolls and Shorties
Flounce in clusters. To suppose
They share that world, to think their sort is
Matched by something in it, shows
How separate and unearthly love is,
Or women are, or what they do,
Or in our young unreal wishes
Seem to be: synthetic, new,
And natureless in ecstasies.
A Study of Reading Habits
When getting my nose in a book
Cured most things short of school,
It was worth ruining my eyes
To know I could still keep cool,
And deal out the old right hook
To dirty dogs twice my size.
Later, with inch-thick specs,
Evil was just my lark:
Me and my cloak and fangs
Had ripping times in the dark.
The women I clubbed with sex!
I broke them up like meringues.
Don’t read much now: the dude
Who lets the girl down before
The hero arrives, the chap
Who’s yellow and keeps the store,
Seem far too familiar. Get stewed:
Books are a load of crap.
As Bad as a Mile
Watching the shied core
Striking the basket, skidding across the floor,
Shows less and less of luck, and
Jamie McGuire
Dayo Benson
Torey Hayden
Rachel Lyndhurst
Becca Jameson
Jeremy Flagg
Samatha Harris
Tom Wood
Logan Patricks
S. E. Lund