The Whitsun Weddings

The Whitsun Weddings by Philip Larkin Page B

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Authors: Philip Larkin
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    Of failure spreading back up the arm
    Earlier and earlier, the unraised hand calm,
    The apple unbitten in the palm.

Ambulances
    Closed like confessionals, they thread
    Loud noons of cities, giving back
    None of the glances they absorb.
    Light glossy grey, arms on a plaque,
    They come to rest at any kerb:
    All streets in time are visited.
    Then children strewn on steps or road,
    Or women coming from the shops
    Past smells of different dinners, see
    A wild white face that overtops
    Red stretcher-blankets momently
    As it is carried in and stowed,
    And sense the solving emptiness
    That lies just under all we do,
    And for a second get it whole,
    So permanent and blank and true.
    The fastened doors recede. Poor soul ,
    They whisper at their own distress;
    For borne away in deadened air
    May go the sudden shut of loss
    Round something nearly at an end,
    And what cohered in it across
    The years, the unique random blend
    Of families and fashions, there

    At last begin to loosen. Far
    From the exchange of love to lie
    Unreachable inside a room
    The traffic parts to let go by
    Brings closer what is left to come,
    And dulls to distance all we are.

The Importance of Elsewhere
    Lonely in Ireland, since it was not home,
    Strangeness made sense. The salt rebuff of speech,
    Insisting so on difference, made me welcome:
    Once that was recognised, we were in touch.
    Their draughty streets, end-on to hills, the faint
    Archaic smell of dockland, like a stable,
    The herring-hawker’s cry, dwindling, went
    To prove me separate, not unworkable.
    Living in England has no such excuse:
    These are my customs and establishments
    It would be much more serious to refuse.
    Here no elsewhere underwrites my existence.

Sunny Prestatyn
    Come To Sunny Prestatyn
    Laughed the girl on the poster,
    Kneeling up on the sand
    In tautened white satin.
    Behind her, a hunk of coast, a
    Hotel with palms
    Seemed to expand from her thighs and
    Spread breast-lifting arms.
    She was slapped up one day in March.
    A couple of weeks, and her face
    Was snaggle-toothed and boss-eyed;
    Huge tits and a fissured crotch
    Were scored well in, and the space
    Between her legs held scrawls
    That set her fairly astride
    A tuberous cock and balls
    Autographed Titch Thomas , while
    Someone had used a knife
    Or something to stab right through
    The moustached lips of her smile.
    She was too good for this life.
    Very soon, a great transverse tear
    Left only a hand and some blue.
    Now Fight Cancer is there.

First Sight
    Lambs that learn to walk in snow
    When their bleating clouds the air
    Meet a vast unwelcome, know
    Nothing but a sunless glare.
    Newly stumbling to and fro
    All they find, outside the fold,
    Is a wretched width of cold.
    As they wait beside the ewe,
    Her fleeces wetly caked, there lies
    Hidden round them, waiting too,
    Earth’s immeasurable surprise.
    They could not grasp it if they knew,
    What so soon will wake and grow
    Utterly unlike the snow.

Dockery and Son
    ‘Dockery was junior to you,
    Wasn’t he?’ said the Dean. ‘His son’s here now.’
    Death-suited, visitant, I nod. ‘And do
    You keep in touch with –’ Or remember how
    Black-gowned, unbreakfasted, and still half-tight
    We used to stand before that desk, to give
    ‘Our version’ of ‘these incidents last night’?
    I try the door of where I used to live:
    Locked. The lawn spreads dazzlingly wide.
    A known bell chimes. I catch my train, ignored.
    Canal and clouds and colleges subside
    Slowly from view. But Dockery, good Lord,
    Anyone up today must have been born
    in ’43, when I was twenty-one.
    If he was younger, did he get this son
    At nineteen, twenty? Was he that withdrawn
    High-collared public-schoolboy, sharing rooms
    With Cartwright who was killed? Well, it just shows
    How much … How little … Yawning, I suppose
    I fell asleep, waking at the fumes
    And furnace-glares of Sheffield, where I changed,
    And ate an awful pie, and walked along
    The platform to its end to see the

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