when they got back from the training center?â
âNo one said anything,â I said, a feeling of dread taking hold in my belly. âMy friends were the oldest kids in the coven. Everyone else was an adultâmostly our parents.â
âThis was a new coven?â Miro asked, his forehead scrunched in thought.
âYes,â I said, though the thought felt foreign to me. My coven was all Iâd ever known. It never felt new, or old, or anything other than home.
âDo you know anything else about what the transitioning process involves?â Shelley asked me.
âNot . . . really.â
âWell . . .â She opened her mouth to say more but changed her mind and looked to Miro for help.
âThis is ridiculous,â Miro said. âNext thing sheâll have us explaining is where babies come from.â He turned away and walked toward the door. âIâm going to make sure Donna isnât looking for us. We canât go to anyone with this until weâre sure of what weâre really dealing with.â
Shelley watched him leave.
âDonna?â I asked.
âMy mom. She owns this restaurant. By now sheâs pretty wiped, so she usually spends an hour before bed watching TV.â
I thought of my own mother, of the new lines on her face, of the deep bags under her eyes. I was worried about her. âCould you tell me what you know about the transition?â
âYouâre really pretty clueless, huh?â
âI guess so.â
Shelley took a breath, squared her shoulders, and addressed me. âThe first year is the worstââ
âThe first year ?â
âIt usually only takes two,â she said almost apologetically. âMiro and I are nearly done, or at least we think so.â
âHow do you know?â
Shelley gestured to the pendant around her neck. She was careful not to touch it, grasping the bronze chain instead. I leaned forward, and up close I could see the smooth lines of her talisman, a bright crimson stone called red jasper. It complemented the golden hue of her skin.
âI know Iâm near the end because I feel like this is truly mine now, a part of me as natural as an arm or leg. Do you know what this talisman does?â she asked.
âIt helps to direct your magic, like a conductor,â I said, grateful Gavin had at least explained that to me.
Shelley looked like she felt relieved, too. âExactly. In the beginning, itâs very hard to control your magic, and itâs impossible to predict how itâs going to affect you physically. What happened tonight was pretty intense. How many times did you use your gift?â
The bird in the alley. The fireball. The priestâs phone. How many times had I opened the door to our apartment?
âFive or six, I think.â And four different gifts, I neglected to add. I donât know why I didnât tell her. It scared me, and I needed to understand what was going on one step at a time.
Shelleyâs eyes widened. âWith no talisman? Oh, Breeda. You could have died.â
My head felt suddenly light, like all the blood had drained from it and was pooling at my feet.
âIâm sorry. I donât want to frighten you,â Shelley said quickly. âBut you have nothing to guide you through this right now. You need to find your parents, or at least your coven leader. I donât know why they havenât explained these things to you, but they must have your family book. Itâs basic self-preservation.â
âI donât even know where to begin to look!â I cried. âI donât know what happened to them!â
Shelleyâs face softened, and she pressed one hand to my shoulder. âWhy donât you begin by telling me everything? We can figure out what to do once I understand whatâs happened.â
âI . . .â But I needed to think about what I could tell them. My parents
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