industrial buildings that was Spilling Velvets, and was smooth, concreted over. The track on the left was too narrow and contained even more craters than the wider lane. Twice before on his way to Corn Mill House, Simon had met a car coming in the opposite direction and had to reverse all the way back to the Rawndesley road; it had felt like driving backwards over a rough stone roller-coaster.
Mainly, Simon was unhappy about Charlie. Without her he felt increasingly cut off, unreachable by other human beings. She was the only person he’d ever been close to, and, worst of all, he didn’t understand why he’d lost her. She’d left CID because of him—of that Simon was certain—and he had no idea what he’d done wrong. He’d risked his job to protect her, for fuck’s sake, so what was her problem?
None of this was Kombothekra’s business or what he’d meant. Simon forced his mind back to work. Plenty of negative feeling there too. He didn’t think Geraldine Bretherick had killed her daughter or herself; he was staggered that most of the team seemed to favour this hypothesis. But he’d been wrong in the past—spectacularly so—and the Brethericks’ minds and lives felt utterly foreign to him.
Mark Bretherick—and Geraldine, Simon assumed—had chosen to live in a house at the bottom of a long lane that was almost impossible to drive down. Simon would never buy a house with such an approach. And he’d be embarrassed to live in one that was known by a name instead of a number; he would feel as if he was pretending to be an aristocrat, inviting trouble. His own home was a neat rectangular two-up two-down cottage in a row of similar neat rectangles, opposite an identical row across the street. His garden was a small square of lawn bordered by thin strips of earth and a tiny paved patio area, also square.
A garden like the Brethericks’ would have terrified him. It had too many components; you couldn’t look out of one window and see all of it. Steep terraces crammed full of trees, bushes and plants surrounded the house on all sides. Many were in flower, but the colours, instead of looking vibrant, appeared sad and reckless, swamped by too much straggly green. A blanket of something dark and clingy climbed up the walls, blocking some of the windows on the ground floor and blurring the boundary between garden and house.
The terraces led down to a large rectangular lawn at the back, which was the only tidy part of the garden. Below the lawn was a ramshackle orchard that looked as if no one had set foot in it for years, and beyond that a stream and an overgrown paddock. At the side of the house stood a double greenhouse that was full of what looked to Simon like tangled, hairy green limbs and troughs full of murky water. Ropes of foliage pressed against the glass like snakes pushing to escape. In the wide driveway at the side of the house were two free-standing stone buildings that appeared to have no use. Each was probably big enough to house a family of three. One had a dusty, long-since-defunct toilet with a cracked black seat in one corner. The other, a young bobby at the scene had told Simon, used to be a coal store. Simon didn’t know how anyone could bear to have two buildings on their land that did nothing, were nothing. Waste, excess, neglect: all these things disgusted him.
Between the two outbuildings, a flight of stone steps led up to a garage, the access to which was from Castle Park Lane. If you climbed to the top of the steps and looked down, you might think Corn Mill House had fallen off the road and landed upright in a hammock of untamed greenery. The house itself had a black-tiled hipped roof but the rest of it was grey. Not solid grey, like the filing cabinets in the CID room, but a washed-out ethereal grey like a damp, misty sky. In certain lights it was more of a sickly beige. It gave the house a spectral look. No two windows were in alignment; all were odd shapes and rattled in the wind.
Mainly, Simon was unhappy about Charlie. Without her he felt increasingly cut off, unreachable by other human beings. She was the only person he’d ever been close to, and, worst of all, he didn’t understand why he’d lost her. She’d left CID because of him—of that Simon was certain—and he had no idea what he’d done wrong. He’d risked his job to protect her, for fuck’s sake, so what was her problem?
None of this was Kombothekra’s business or what he’d meant. Simon forced his mind back to work. Plenty of negative feeling there too. He didn’t think Geraldine Bretherick had killed her daughter or herself; he was staggered that most of the team seemed to favour this hypothesis. But he’d been wrong in the past—spectacularly so—and the Brethericks’ minds and lives felt utterly foreign to him.
Mark Bretherick—and Geraldine, Simon assumed—had chosen to live in a house at the bottom of a long lane that was almost impossible to drive down. Simon would never buy a house with such an approach. And he’d be embarrassed to live in one that was known by a name instead of a number; he would feel as if he was pretending to be an aristocrat, inviting trouble. His own home was a neat rectangular two-up two-down cottage in a row of similar neat rectangles, opposite an identical row across the street. His garden was a small square of lawn bordered by thin strips of earth and a tiny paved patio area, also square.
A garden like the Brethericks’ would have terrified him. It had too many components; you couldn’t look out of one window and see all of it. Steep terraces crammed full of trees, bushes and plants surrounded the house on all sides. Many were in flower, but the colours, instead of looking vibrant, appeared sad and reckless, swamped by too much straggly green. A blanket of something dark and clingy climbed up the walls, blocking some of the windows on the ground floor and blurring the boundary between garden and house.
The terraces led down to a large rectangular lawn at the back, which was the only tidy part of the garden. Below the lawn was a ramshackle orchard that looked as if no one had set foot in it for years, and beyond that a stream and an overgrown paddock. At the side of the house stood a double greenhouse that was full of what looked to Simon like tangled, hairy green limbs and troughs full of murky water. Ropes of foliage pressed against the glass like snakes pushing to escape. In the wide driveway at the side of the house were two free-standing stone buildings that appeared to have no use. Each was probably big enough to house a family of three. One had a dusty, long-since-defunct toilet with a cracked black seat in one corner. The other, a young bobby at the scene had told Simon, used to be a coal store. Simon didn’t know how anyone could bear to have two buildings on their land that did nothing, were nothing. Waste, excess, neglect: all these things disgusted him.
Between the two outbuildings, a flight of stone steps led up to a garage, the access to which was from Castle Park Lane. If you climbed to the top of the steps and looked down, you might think Corn Mill House had fallen off the road and landed upright in a hammock of untamed greenery. The house itself had a black-tiled hipped roof but the rest of it was grey. Not solid grey, like the filing cabinets in the CID room, but a washed-out ethereal grey like a damp, misty sky. In certain lights it was more of a sickly beige. It gave the house a spectral look. No two windows were in alignment; all were odd shapes and rattled in the wind.
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