do you mean by that?â
âI went there,â said Poirot, âto see Sir Roderick Horsefield.â
âWhat, that old boy? Heâs practically gaga, isnât he?â
âHe is a man,â said Poirot, âwho is in possession of a great many secrets. I do not mean that he takes an active part in such things nowadays, but he knows a good deal. He was connected with a great many things in the past war. He knew several people.â
âThatâs all over years ago, though.â
âYes, yes, his part in things is all over years ago. But do you not realise that there are certain things that it might be useful to know?â
âWhat sort of things?â
âFaces,â said Poirot. âA well-known face perhaps, which Sir Roderick might recognise. A face or a mannerism, a way of talking, a way of walking, a gesture. People do remember, you know.Old people. They remember, not things that have happened last week or last month or last year, but they remember something that happened, say, nearly twenty years ago. And they may remember someone who does not want to be remembered. And they can tell you certain things about a certain man or a certain woman or something they were mixed up inâI am speaking very vaguely, you understand. I went to him for information.â
âYou went to him for information, did you? That old boy? Gaga. And he gave it to you?â
âLet us say that I am quite satisfied.â
David continued to stare at him. âI wonder now,â he said. âDid you go to see the old boy or did you go to see the little girl, eh? Did you want to know what she was doing in the house? Iâve wondered once or twice myself. Do you think she took that post there to get a bit of past information out of the old boy?â
âI do not think,â said Poirot, âthat it will serve any useful purpose to discuss these matters. She seems a very devoted and attentiveâwhat shall I call herâsecretary?â
âA mixture of a hospital nurse, a secretary, a companion, an au pair girl, an uncleâs help? Yes, one could find a good many names for her, couldnât one? Heâs besotted about her. You noticed that?â
âIt is not unnatural under the circumstances,â said Poirot primly.
âI can tell you someone who doesnât like her, and thatâs our Mary.â
âAnd she perhaps does not like Mary Restarick either.â
âSo thatâs what you think, is it?â said David. âThat Sonia doesnât like Mary Restarick. Perhaps you go as far as thinking thatshe may have made a few inquiries as to where the weed killer was kept? Bah,â he added, âthe whole thingâs ridiculous. All right. Thanks for the lift. I think Iâll get out here.â
âAha. This is where you want to be? We are still a good seven miles out of London.â
âIâll get out here. Good-bye, M. Poirot.â
âGood-bye.â
Poirot leant back in his seat as David slammed the door.
II
Mrs. Oliver prowled round her sitting room. She was very restless. An hour ago she had parcelled up a typescript that she had just finished correcting. She was about to send it off to her publisher who was anxiously awaiting it and constantly prodding her about it every three or four days.
âThere you are,â said Mrs. Oliver, addressing the empty air and conjuring up an imaginary publisher. âThere you are, and I hope you like it! I donât. I think itâs lousy! I donât believe you know whether anything I write is good or bad. Anyway, I warned you. I told you it was frightful. You said âOh! no, no, I donât believe that for a moment.â
âYou just wait and see,â said Mrs. Oliver vengefully. âYou just wait and see.â
She opened the door, called to Edith, her maid, gave her the parcel and directed that it should be taken to the post at once.
âAnd now,â
Katy Grant
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