Three Major Plays by Lope de Vega, Gwynne Edwards

63 ( 1979), 54-8.
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    ---- "Theme and Structure in Lope's Fuente Ovejuna", Forum for Modern Language Studies , 10 ( 1974), 57-66.
    Herrero, Javier, "The New Monarchy: A Structural Reinterpretation of Fuente Ovejuna", Revista Hispánica Moderna , 36 ( 1970-1), 173-85.
    Larson, Donald R., The Honor Plays of Lope de Vega ( Cambridge, Mass., 1977).
    -xxxvii-

McCrary, William C., "Fuente Ovejuna: Its Platonic Vision and Execution", Studies in Philology , 58 ( 1961), 179-92.
    Moir, Duncan W., "Lope de Vega's Fuente Ovejuna and the Emblemas morales of Sebastión de Covarrubias Horozco . . .", in Homenaje a William L. Fichter , ed. A. David Kossof and José Amor y Vázquez ( Madrid, 1971), 537-46.
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    Studies of The Knight from Olmedo
    Brownstein, Leonard A., "Comedy in El Caballero de Olmedo", in Perspectivas de la comedia , 2 ( Valencia-Chapel Hill, 1979), 27-37.
    Casa, Frank P., "The Dramatic Unity of El caballero de Olmedo", Neophilologus , 50 ( 1966), 234-43.
    Gerard, A. S., "Baroque Unity and the Dualities of El caballero de Olmedo", The Romanic Review , 56 ( 1965), 92-106.
    Hesse, Everet W., "The Role of the Mind in Lope's El caballero de Olmedo", Symposium , 19 ( 1965), 58-66.
    Jones, Sonia, "The Tragedy of Passion: Lope's El caballero de Olmedo", Reflexion , 3-4 ( 1974-5), 138-5.
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    King, Villard F., "El caballero de Olmedo: Poetic Justice or Destiny", in Homenaje a William L. Fichter , ed. A. David Kossoff and José Amor y Vázquez ( Madrid, 1971), 367-79.
    McCrary, C., The Goldfinch and the Hawk: A Study of Lope de Vega's Tragedy, El caballero de Olmedo ( Chapel Hill, 1966).
    McGaha, Michael, "The Structure of El caballero de Olmedo", Hispania , 61 ( 1978), 451-8.
    Powers, Harriet B., "Unity in El caballero de Olmedo", Bulletin of the Comediantes , 27 ( 1974), 52-9.
    Schafer, Alice E., "Fate versus Responsibility in Lope's El caballero de Olmedo", Revista canadiense de estudios hispánicos , 3 ( 1972), 26-39.
    Soons, Alan, "Towards an Interpretation of El caballero de Olmedo", Romanische Forschungen , 73 ( 1961), 160-8.
    Turner, Alison, "The Dramatic Function of Imagery and Symbolism in Peribáez and El caballero de Olmedo", Symposium , 20 ( 1966), 174-85.
    Wardropper, Bruce W., "The Criticism of the Spanish Comedia: El caballero de Olmedo as Object Lesson", Philological Quarterly , 51 ( 1972), 177-96.
    -xxxviii-

Wilson, Edward M., "The Exemplary Nature of El caballero de Olmedo", in Spanish and English Literature of the 16th and 17th Centuries ( Cambridge, 1980), 184-200.
    Yates, Donald A., "The Poetry of the Fantastic in El caballero de Olmedo", Hispania , 43 ( 1960), 503-7.
    Studies of Punishment Without Revenge
    Bianco, F. J., "Lope de Vega's El castigo sin venganza and Free Will", Kentucky Romance Quarterly , 26 ( 1979), 461-8.
    Dixon, Victor, "El castigo sin venganza: The Artistry of Lope de Vega", in Studies in Spanish Literature of the Golden Age Presented to Edward M. Wilson , ed. R. O. Jones ( London, 1973), 63-81.
    ---- and Parker, A. A., "Two Lines, Two Interpretations", Modern Language Notes , 85 ( 1970), 157-66.
    Edwards, Gwynne, "Lope and Calderón: The Tragic Pattern of El castigo sin venganza", Bulletin of the Comediantes , 33: 2 ( 1981), 107-20.
    Evans, W. P., "Character and Context in El castigo sin venganza", Modern Language Review , 74 ( 1979), 321-34.
    May, T. E., "Lope de Vega's El castigo sin venganza: The Idolatry of the Duke of Ferrara", Bulletin of Hispanic Studies , 37 ( 1960), 154-82.
    Morris, C. B., "Lope de Vega's El castigo sin venganza and Poetic