machine has, over the years, earned its keep as a social lubricant.
According to Yolanda, though, I come up with an excuse to put a potential date on hold; then I listen in on his filibuster and subtract points for cliché and poor grammar.
âI have never, ever, put someone on hold unless I had to,â I say, as Yolanda takes a sip of her smoothie and turns for the door. âAnd Iâm not that picky with men.â
âWhat about that sweet guy with the flowers?â
âHim? He was a madman. He showed up for our first date with roses.â
âHe wasnât a madman. He was crazy about you.â
âI donât even
like
roses.â
âStill, it was romantic. He was the wrong guy, I give you that. But bringing roses is romantic.â
âItâs the
opposite
of romantic. Romance is careful attention to what a particular lover wants or needs. Giving roses to a woman who doesnât like flowers is not romantic. Itâs the opposite of romanticâitâs generic. And if a woman loves, letâs say, auto repair, then buying her a welderâs torch is the ultimate in romance.â
Yolanda sweeps open the door. âEverybody make way for the love expert.â
We step out onto the sidewalk. There is a shout. Just feet from us, a restaurant delivery man and his bicycle flip hard onto the sidewalk. In one continuous motion, the scrawny preteen skateboarder who just shoved him bends, nips two bulging bags of food out of the bikeâs basket, and is straightening from his crouchâthe downed biker and I still inert from shockâwhen Yolanda knocks one of the bags out of his arms with an impressive kick.
Still holding the other bag, the kid palms the pavement for balance, slams his wheels to the sidewalk, and shoots away, heading uptown.
âYou want to know why you piss me off?â Yolanda screams after him.
If I were a zoologist hunting specimens of the indigenous New Yorker, this would be my hunting call. No Manhattanite can resist.
A block away, the kid slows.
âOkay, fine. Steal the food. But at least you could stick around and
acknowledge
what you did to him!â
Holding aloft his middle finger, the skateboarder turns a corner.
From the pavement the delivery guy, a ropy black man with skin so dark he almost shines, looks up at Yolanda as though heâs having a religious vision.
âYou okay?â I ask him.
âNot English,â he says softly, with a thick, eloquent accent. He turns up his palms.
I point to his leg, where a long, painful-looking scrape extends from the edge of his shorts to his ankle. He smiles to reassure me. âNot English,â he repeats.
âDenial,â Yolanda tells him, setting a firm hand on his shoulder as he stands. âThatâs the problem with the world.â
âAh,â he says with fervor, and follows Yolanda with large glimmering eyes as she hugs me goodbye and strides off, smoothie in hand.
Â
When I get home from work, the number two is blinking on my machine. The first message is Hannah: Adam is back, has already taught Elijah the Russian word for snot, is driving Hannah crazy so nothing has changed. They all want to see me.
I set down my bag and reach for my calendar.
The second message is George. It was a pleasure throwing hors dâoeuvres with me yesterday. Would I care to call him?
I put down the calendar. Then I unload my bag and tidy the papers on my coffee table. I wander to the kitchenetteâs narrow window and stand for a long while, my eyes roaming a familiar course across the skyline. Uptown, the high rises are a bright, endless filigree. Though Iâve been hoping for Georgeâs call, I abruptly donât want to think about him. I think instead about the city. All those lives. All those individual, earthshaking dramas, and threaded through them the workings of history and poetry and the laws of physics and chemistry and biology, all rushing
Unknown
Emily Rodda
Shannon Curtis
Becca Little
Meredith Wild
Ella Price
Peter J; Tanous
Kathi S. Barton
Steve Miller, Sharon Lee and Steve Miller
A. R. Kahler