several years âconditional discharge.â Theyâre young, tough and scary, and theyâll use a flick knife at the drop of a hat. The junkies, on the other hand, arenât looking for trouble. Itâs just that sometimes they need cash, and to get it theyâd pull any stupid stunt. Whatever they get, they have it coming. Just showing their faces is tantamount to a confession.
The dropouts are cool guys. They donât do anything stupid, and they donât have a police record. Theyâre enrolled in vocational courses, but never attend, which suits everybody just fine: it reduces class numbers and allows the college to hire extra teachers. They spend their afternoons at FNAC or Virgin. Scrounge a smoke here, a hundred francs there. Theyâre resourceful, and clean. Until the day they start dreaming of driving a BMW, because theyâre pissed off taking the bus. Or theyâre suddenly âinspiredâ by dope and start shooting up.
Then there are all the others, the ones I discovered later. A whole mass of kids who have no story other than that they were born here. And that theyâre Arabs. Or blacks, or gypsies, or Comorans. High school kids, temporary workers, the unemployed, public nuisances, the sports fans. Their teenage years are spent walking a tightrope. A tightrope from which theyâre almost all likely to fall. Where will they land? Punk, junkie, dropout? Nobody knows. Itâs a lottery. Theyâll find out sooner or later. For me itâs always too soon, for them itâs too late. In the meantime, they get picked up for trivial offences. Riding a bus without a ticket, a fight on the way out of school, petty shoplifting from a supermarket.
These were the kind of things they discussed on Radio Galère, a talk radio station I listened to regularly in the car. I waited now for the end of the show, with the car door open.
âOur old folks canât help us anymore, dammit! Take me, for instance. I get to eighteen, I need fifty or a hundred francs on a Friday night. Itâs only natural. There are five of us. Where do you think the old manâs going to find five hundred francs? So, then what happens, I donât say me, but... my brother for example, he has toââ
âPick someoneâs pocket!â
âThatâs no joke!â
âRight! And the guy who gets his money stolen sees itâs an Arab. And straight away he joins the National Front!â
âEven if he isnât a racist, man!â
âIt could have been, I donât know, a Portuguese, a Frenchman, a gypsy.â
âOr a Swiss guy! Shit, man! There are thieves everywhere.â
âJust your luck that in Marseille, itâs more likely to be an Arab than a Swiss guy.â
Since the neighborhood had become my beat, Iâd collared a few real gangsters, and a reasonable number of dealers and holdup men. Caught them red-handed, chased them through the projects or out along the beltway. Next stop Les Baumettes, Marseillesâ biggest jail. I had no pity for them, no hate either. But I did have my doubts. Whoever the guy is, he goes into the joint at eighteen, his life is screwed up. When I was doing holdups with Manu and Ugo, we didnât think about the risks. We knew the rules. You play the game. If you win, fine. If you lose, too bad. If you donât like it, you might as well stay at home.
The rules were still the same now. But the risks were a hundred times greater. And the prisons were overflowing with minors. Six minors for every one adult. A figure I found really depressing.
About ten kids were chasing each other, throwing stones as big as fists. âAs long as theyâre doing that, they arenât doing something stupid,â one of the mothers had told me. What she meant by âsomething stupidâ was something you called in the police for. This was just the junior version of the OK Corral. In front of Block C12, six Arab
Stacey Madden
Rachel Friedman
Diana Estill
Jim Shepard
Jayne Kingston
Howard Engel
Karen Shepard
Ray Bradbury
Siobhan Muir
Jenna Byrnes