least the size of a cigarette package and in place of a brassiere (which might have become dislodged in the enthusiasm of the dance) each wore two little stickers based on the principle of the "Posees" which enjoyed a brief rage a few years back, but differing from that adhesive bra in being smaller, say an inch and a half to an inch and three quarters wide. These little modest stickers were often of a natural rosy hue, but some were silver, some were gold, and some were covered with sequins, giving pleasant variety. Some of the young ladies had tassels appended to these stickers, which accented their movements. One had four tassels, two in front and two fastened to the bulges of her glutei maximi. Such was her athletic skill that she could start or stop any of the tassels independently, swinging them in time with the music. The tassels had been treated with fluorescent dye, producing a giddy and pleasing effect of mobile mathematical patterns.
We left this establishment without having suffered undue financial damage and were just about to turn into our home street when we saw a sign advertising the leopard woman. We went in. The dive was grimy but the show was all that it was billed. I mean to say: where else can you see a naked woman rassle with a full-grown leopard thirty-nine inches from your nose and no bars? This act was all that it was represented to be and it struck me as damned dangerous. Sure, she did her strip by having the leopard claw and/or bite her clothes away, just like Lolita and her Doves and that gal who used to do the same act with a parrot. But the thing that got me was that apparently bad-tempered leopard practically stepping in my half-ounce cuba libre. It made me so nervous I had to sit through the show twice.
The Maison de Ville is a luxury hotel run like a very well run French pension, by a Mrs. Ehrlich, who came down from the Nawth, liked the town, bought this hotel and stayed. It is small, very personal, and very well managed. The new wing was built in 1800, which gives you some idea. The patio is lush, old, and cool, with green moss covering the ancient bricks. There is a wishing well where you may chuck a penny if you have any wishes left unsatisfied, which seems unlikely. A complimentary continental breakfast is served until eleven o'clock in this patio and it opens into the much larger patio of the Three Sisters, where everything is served, from Sazerac cocktails to lobster mayonnaise.
Having seen New Orleans before, we had not intended to spend much time there, but the delay in sailing left us with a couple of days to kill. On Sunday we took a rubberneck trip and found that in New Orleans such a trip is not to be scorned. There are many things there which need to be pointed out and cannot be seen just by poking around-such as the canals that are above the level of the adjacent streets and many old fine antebellum homes which would give a housekeeper nightmares. And there is the cemetery that used to be a race track until one man was refused membership, whereupon he resolved to make it the deadest place in town. He did so-he bought it and it is now a very beautiful cemetery.
Thereafter we wandered down to the waterfront, had coffee at the Morning Call (an obligatory ritual) and found the Gulf Shipper .Captain Rowland W. Dillard was aboard and very kindly showed us around. Captain Dillard is usually Chief Mate of the Shipper, but had just completed a voyage as CO. during the vacation of Captain Lee. We soon discovered that he was a retired naval officer, whereupon we admitted that we were Navy files, too, and became muy simpático in an atmosphere of "Did you know so-and-so?"
We firmly resolved to see a movie that night, several bills having changed-but found that Hollywood's Chinese suicide was still going on. So we started back to Maison de Ville. At the corner of Toulouse and Bourbon, fifty feet from Maison de Ville, is the Old French Opera House. I pointed out that it was much too early
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