and necklace worth a small fortune, probably a bit of money in her handbag, too. She could be anywhere. She went of her own free will. What do you want me to do? Have her dragged back in chains?'
`Report her missing, that's all.'
Ìt's nobody else's business. I don't want anyone to know.'
`That's it, isn't it? Well, it'll soon be everyone's business. What if she's hurt or lost?
What if she's this woman here?' Evelyn stabbed at the page of newsprint, pushing it towards him over the table where they sat. 'Then you'll look an even bigger bloody fool, won't you?
They'll think you did it. What if she's fallen under a train? When they find her, they'll think you pushed her because you haven't said anything, like you were trying to hide. Please yourself. Make it worse.'
`You've always had a dramatic imagination, darling child,' he said, trying to grasp the hand that pushed the paper towards him. Evelyn snatched it back. She was not there to give comfort. He was weak, ineffectual, indecisive: she knew all these words because Antony Sumner, her very own teacher, had taught her what they meant. Her father had retreated into silence for over a week, leaving her alone as she had always been left alone when he was not gasping for affection like a dying fish. He did not deserve comfort.
The kitchen was spacious and beautiful, solid wooden units with a dull gleam in the afternoon sun, quarry-tiled floor, dried herbs in a copper bucket, a perfect facsimile of magazine country life, showing signs of neglect, a tribute to huge expense and, finally, desertion. Tears gathered in John Blundell's eyes, rolled down his pale cheeks, blurring his vision of one magnificent room and one strangely beautiful fourteen-year-old daughter. She leapt to her feet, disgusted by the tears, snatched the phone from the bracket on the wall behind him, slammed it down on the pine table in front of his twisting hands.
`Do it,' she said. 'Do something for once. Phone the police, and when they get here, I'll speak to them, too. Do it now. Or you'll wish you'd never been born when they all start asking. Think of the neighbours, Dad. Do it.'
Antony Sumner wished he had never been born. No, lying in the generous arms of Christine Summerfield in Christine's pretty little house at nine o'clock on a Saturday evening, he could never wish any such thing. But he wished he could take back the last year, and especially the last fortnight, and give it to her instead. Wished he had never set eyes on Yvonne Blundell, who looked like a gypsy; wished he had never agreed to give English lessons in the evenings to that daughter Evelyn who was the last to need them. Another gypsy.
He was flattered, he supposed, to be asked, liked money for old rope, liked being flirted with, same old weakness. Christine darling, please cure me. Release me from a frustrated housewife who reads poetry, aspires to culture in a desert. People should not read poetry on top of a bad life. It's like mixing drinks or eating cheese before sleeping, very bad for the emotional digestion.
Antony Sumner turned and kissed Christine. She was fast asleep, blissful Saturday evening torpor, rubbish flickering on the television screen, bottle of wine and a good meal gone. Peaceful, free in conscience. Yvonne Blundell was not like you, his mind continued fondly. She was looking for an affair before she hit forty, that daughter looking for learning like someone starving looks for food, both of them with wonderful eyes, fit to tear him apart.
But the girl could write. He wished he had never bedded Mrs Blundell. It was like curling up with an octopus, then having to detach her one tentacle at a time. Oh, why wasn't someone there to save him? Walking in the woods after meeting her in The Crown, taking the argument into the trees. She always knew the way through that garden.
Antony removed a hand from beneath Christine's shoulder, watched her stir. Oh, God, what have I done? Shouldn't have lost my cool, shouldn't
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