Under the Dome: A Novel
them there was. Elsa got out the instant the car stopped and ran to the staggering woman. For an elderly lady (Elsa had just turned seventy), she was remarkably fleet.
    Nora left the car idling in park and joined her friend. Together they supported Wanda to Norma’s old but perfectly maintained Mercedes. Wanda’s jacket had gone from brown to a muddy roan color; her hands looked as if she had dipped them in red paint.
    “Whe’ Billy?” she asked, and Nora saw that most of the poor woman’s teeth had been knocked out. Three of them were stuck to the front of her bloody jacket. “Whe’ Billy, he arri’? Wha’ happen?”
    “Billy’s fine and so are you,” Nora said, then looked a question at Elsa. Elsa nodded and hurried toward the Chevy, now partly obscured by the steam escaping its ruptured radiator. One look through the gaping passenger door, which hung on one hinge, was enough to tell Elsa, who had been a nurse for almost forty years (final employer: Ron Haskell, MD—the MD standing for Medical Doofus),that Billy was not fine at all. The young woman with half her hair hanging upside down beside her head was now a widow.
    Elsa returned to the Mercedes and got into the backseat next to the young woman, who had slipped into semiconsciousness. “He’s dead and she will be, too, if you don’t get us to Cathy Russell hurry-up-chop-chop,” she told Nora.
    “Hang on, then,” Nora said, and floored it. The Mercedes had a big engine, and it leaped forward. Nora swerved smartly around the Debec Chevrolet and crashed into the invisible barrier while still accelerating. For the first time in twenty years Nora had neglected to fasten her seat belt, and she went out through the windshield, where she broke her neck on the invisible barrier just as Bob Roux had. The young woman shot between the Mercedes’s front bucket seats, out through the shattered windshield, and landed facedown on the hood with her bloodspattered legs splayed. Her feet were bare. Her loafers (bought at the last Oxford Hills flea market she had attended) had come off in the first crash.
    Elsa Andrews hit the back of the driver’s seat, then rebounded, dazed but essentially unhurt. Her door stuck at first, but popped open when she put her shoulder against it and rammed. She got out and looked around at the littered wreckage. The puddles of blood. The smashed-up Chevy shitbox, still gently steaming.
    “What happened?” she asked. This had also been Wanda’s question, although Elsa didn’t remember that. She stood in a strew of chrome and bloody glass, then put the back of her left hand to her forehead, as if checking for a fever. “What happened? What just happened? Nora? Nora-pie? Where are you, dear?”
    Then she saw her friend and uttered a scream of grief and horror. A crow watching from high in a pine tree on The Mill side of the barrier cawed once, a cry that sounded like a contemptuous snort of laughter.
    Elsa’s legs turned rubbery. She backed until her bottom struck the crumpled nose of the Mercedes. “Nora-pie,” she said. “Oh, honey.” Something tickled the back of her neck. She wasn’t sure, butthought it was probably a lock of the wounded girl’s hair. Only now, of course, she was the dead girl.
    And poor sweet Nora, with whom she’d sometimes shared illicit nips of gin or vodka in the laundry room at Cathy Russell, the two of them giggling like girls away at camp. Nora’s eyes were open, staring up at the bright midday sun, and her head was cocked at a nasty angle, as if she had died trying to look back over her shoulder and make sure Elsa was all right.
    Elsa, who
was
all right—“just shaken up,” as they’d said of certain lucky survivors back in their ER days—began to cry. She slid down the side of the car (ripping her own coat on a jag of metal) and sat on the asphalt of 117. She was still sitting there and still crying when Barbie and his new friend in the Sea Dogs cap came upon her.
    3

    Sea Dogs turned out to

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