end the conversation angrily defending her career, but would always be racked with guilt, knowing that her mother was partly right.
Jill did want a husband and children, but she also wanted to be a journalist. There was a balance between the two that she just couldn’t seem to find. How much of her career should she give up for a family? How much family should she forego for a career?
And now her career might be about over. She could refuse to hand in her story and face probable dismissal, or she could cut the piece herself, destroying every shred of her integrity.
She wondered if she should send the story directly to New York. She had a few friends in the network—maybe she could get someone to watch it, see if it was worth running on the national feed. Lord knew nothing like it had been sent from Hawaii in a long time.
Her phone rang. Jill got up from the lanai to answer it, but as soon as she put the receiver to her ear, the line went dead. Crank call or wrong number, she didn’t care.
She finished the last bit of wine in a heavy swallow and put the empty glass in the dishwasher, leaning against the tiled counter. She’d exhausted two of the three traditional female relaxation techniques, the bath and the wine, and there weren’t any stores open this late, so she couldn’t go shopping. She decided on a masculine diversion—she’d go out. Sitting at home and brooding wasn’t her style anyway. She could do the voice-over in the morning, but tonight she wanted a diversion, something to get her mind off her job, off her parents, off everything.
There would be a vast assortment of eligible bachelors at the tourist hotels near the beach. Before heading into her bedroom, she put an Aerosmith CD into the player and cranked the volume to seven. The heavy bass and pounding tempo immediately made her feel better. Defiantly bad-girl music for a bad-girl type of night.
She spent over an hour choosing her outfit and makeup. Finally she was dressed to kill, from black tap panties to a hip-hugging Nina Ricci dress. Six hours a week in a gym ensured that she had a body that would turn even a blind man’s head.
Just as she was resettling her breasts in the strapless dress, there was a crash of breaking glass. She whirled toward the sliding glass bedroom doors as a darkly dressed figure burst through the gauzy curtains. The first man was quickly followed by two more, their booted feet crushing the shards against the teal carpet.
Jill screamed shrilly. For an instant her panic overcame the natural urge to flee, and that hesitation cost her.
Two of the men raced toward her, guns clamped in their gloved fists. Jill began backing away, but a pistol whipped out and caught her on the jaw, snapping her head around and knocking her to the floor. She was unconscious before her diamond pendant necklace settled in her cleavage.
The man who had struck her peeled off his black ski mask. It was Takahiro Ohnishi’s assistant, Kenji.
“Tie her,” he ordered.
He searched the house until he found the room Jill used as an office. Two walls were lined with expensive video equipment, the type used for high-quality editing work. More than likely her piece on Ohnishi was here. Kenji rifled the filing cabinet and desk with professional adroitness, but turned up nothing.
In disgust he went back out to the living room. On a small geometric lucite table near the front door rested a thick manila envelope. He tore it open and a videocassette slid into his hand. He returned to the office and slid the tape into a VCR.
Jill Tzu’s story ran for the first and only time. As Kenji had suspected, it documented his employer’s known violations of civil employment laws and Ohnishi’s support of Honolulu Mayor David Takamora’s gubernatorial election bid for the fall. Jill had also managed to slip in several references to the escalating violence surrounding the campaign and the possibility that Ohnishi was financing that as well. Popping the tape
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