Vurt
we lose them; even lovers we sometimes lose. And get bad things in exchange; aliens, objects, snakes, and sometimes even death. Things we don't want. This is part of the deal, part of the game deal; all things, in all worlds, must be kept in balance. Kittlings often ask, who decides on the swappings? Now then, some say it's all accidental; that some poor Vurt thing finds himself too close to a door, at too crucial a time, just when something real is being lost. Whoosh! Swap time! Others say that some kind of overseer is working the MECHANISMS OF EXCHANGE, deciding the fate of innocents. The Cat can only
    tease at this, because of the big secrets involved, and because of the levels between you, the reader, and me, the Game Cat. Hey, listen; I've struggled to get where I am today; why should I give you the easy route? Get working, kittlings! Reach up higher. Work the Vurt.
    Just remember Hobart's rule; R = V ± H, where H is Hobart's constant. In the common tongue; any given worth of reality can only be swapped for the equivalent worth of Vurtuality, plus or minus 0.267125 of the original worth. Yes my kittlings, it's not about weight or volume or surface area. It's about worth. How much the lost ones count, in the grand scheme of things. You can only swap back those that add up to something, within Hobart's constant. Like for like, give or take 0.267125.
    We have prostrated ourselves at the feet of goddess Vurt, and we must accept the sacrifice. You'll want them back of course, your lost and lonely ones. You'll cry out for them, all through the dark and empty nights. Swapback can be made, but the way is full of knives, glued-up doors, pathways of glass. Only the strong can make it happen. Listen up. Be careful. Be very, very careful. You have been warned. This comes from the heart.

DOWN THE BOTTLE

    The Beetle and Mandy, walking on a path of glass. The noise of a window cracking in the afternoon.
    A spectrum of colours radiating out from the sun, as it flared above the high- rises. The light refracting through moisture suspended in the air.
    The shimmering air.
    A million pieces of the sun shining on the walkways. Beetle and Mandy disappearing into the rainbow mirage.
    I followed them as best I could, moving up to the front seat for a better look. From every direction the crystal sharp segments of smashed up wine bottles, and beer bottles, and gin bottles, caught and magnified every stray beam of Manchester light. The whole of Bottletown, from the shopping centre to the fortress flats, shone and glittered like a broken mirror of the brightest star. Such is beauty, in the midst of the city of tears. In Bottletown even our tears flicker like jewels.
    I knew that the Beetle had the gift of seeing beauty in ugliness. It's just that I'm more used to ugliness than he is, seeing it every day in cruel mirrors, and in the mirrors of women's eyes.
    Bottletown had only been around for ten years or so. Some kind of urban dream.
    Pretty soon the wholesome families moved out and the young and the listless moved in, and then the blacks and the robo-crusties and the shadowgoths and the students. Pretty soon the students moved out, sick to the back of mummy and daddy's car with too much burglary, too much mugging. Then the blacks moved out, leaving the place to the non- pure -- hybrids only need apply. About a year later the council opened a pair of bottle banks on the outskirts of the town, one for white glass, one for green. The nice people from the outlying districts would come there, just to the edge of dirtiness, in order to drop their evidence of excessive alcohol intake. The council stopped emptying the bottle banks, and anybody walking there had to sink into a bed of pain, just to get near the good times.
    When the banks were full, and overflowing, still they came, breaking bottles on the pavements and the stairs and the landings. This is how the world fills up. Shard by shard, jag by jag, until the whole place is some kind of glitter

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