permission to get one.â
âSheâs got one.â
âWhat is it?â
âDoes it matter?â Martha stomped down the hall to a closed bedroom door. She tried the knob. Locked. Pounded with fists. âOpen the door this instant! Youâre in so much trouble!â
The door didnât open. Thumping rock music inside. Joan Jett.
â . . . Hello Daddy, hello Mom, Iâm your ch-ch-ch-cherry bomb . . .â
Martha turned. âJim?â
âWhat? Kick the door in?â
âNo, get a key.â Martha kept pounding.
âWhereâs the key?â
âI donât know.â More pounding. âTry the junk drawer.â
âIâll go look.â
Before he could leave, the door opened. âWhatâs all the racket out here?â
â . . . Donât give a damn âbout my bad reputation . . .â
âYou got a tattoo!â
âSo?â
âWe forbid you! And we didnât give any permission!â
Nicole shrugged. âSerge got it for me. Heâs really cool.â
âSerge!â snapped Martha. She began strangling something invisible in midair. âIâll kill him. He disfigured our daughter!â
âYouâre such a drama queen,â said Nicole.
âTurn around immediately!â said Martha. âI want to see what that monster did to you!â
âNo!â
Martha looked sideways. âJim!â
âNicole,â said her father. âTurn around.â
The teen opened her mouth. But then remembered her promise to Serge. âOkay, Dad.â
She turned around, lifting her shirt and pulling the waistband down an inch.
The parents leaned in for a close inspection.
There it was, just below the tan line. A word in feminine cursive script:
Family .
Nicole dropped her shirt and turned around to face them again. âSatisfied?â
Her parents stood mute.
âSerge also told me to be more grateful for you guys. Whatever.â
Nicole went back in her room and closed the door.
Chapter Five
THE NEXT DAY
Coleman burped. âLook at this line.â He stuck his head around the side in an attempt to see the front. âItâs like Disney.â
âMaybe longer,â said Serge, licking a stamp.
âWe drove like forever to get here, and now . . . where are we? This is the middle of nowhere.â
âTwenty miles east of Orlando to be exact.â
Coleman strained his neck for a view of the counter. âBut whatâs the point?â
âBecause Florida doesnât get snow, we have a chronic inferiority complex when it comes to Christmas.â Serge handed Coleman a stamp. âSo we overcompensate: Santa Claus on water skis, on Jet Skis, on surfboards, Christmas cards with barefoot Santas in beach chairs drinking beer, inflatable snowmen, reindeer in tropical shirts, town celebrations where they bring in special machines that shred ice and blow out fake snow that melts immediately and makes the children cry . . . But this place just might be the weirdest.â
âWhat is it?â
âThe post office in the city of Christmas, Florida, where thousands descend each year to get their holiday cards postmarked. Itâs the best tradition we got, so fuck it, Iâm rodeo-riding this cultural mutation.â
âWhyâs it called Christmas?â Coleman licked his own stamp. âThey have a big celebration way back or something?â
âNo,â said Serge. âOn the twenty-fifth of December, 1837, they began construction of Fort Christmas to fight the Second Seminole War. Nothing says the âPrince of Peaceâ like a military installation.â
âWho are we mailing your card to?â
âMe,â said Serge. âItâs got a bitchinâ cool Florida postmark. I tried to think who might appreciate it more but drew a blank.â
Coleman looked at his own envelope. âMineâs
John B. Garvey, Mary Lou Widmer
Liesel Schwarz
Elise Marion
C. Alexander London
Abhilash Gaur
Shirley Walker
Connie Brockway
Black Inc.
Al Sharpton