the mall and sit together at the Yogurt A Go-Go in their own separate spheres of mobile devices.â
âWhatâs wrong with that?â
âItâs destroying the art of conversation!â said Serge. âI love conversations!â
âWhy?â
âBecause weâre all crazy!â said Serge. âAnd thatâs how society makes progress: imaginations getting together and glancing off each other in accidental tangents of invention.â
âThat sounds crazy,â said Nicole.
âThink about it.â Serge chugged from his coffee thermos. âWe all know how schizophrenics talk from our time on the streets interacting with the underpass community, and weâre thinking, âJesus, Iâm glad Iâm not like this loopy guy jabbering about time travel, drone aircrafts, and guilt-free dog treats.â . . . But thatâs only because weâre not aware of how our own conversations sound because weâre inside them. Itâs like you donât know your own voice unless you have a tape recorder. And if you did have a tape recorder, and recorded a hundred different conversations in a restaurant, where people at leisure have no agenda other than to enjoy each otherâs company, the chitchat is all over the road, jumping from topic to topic until itâs miles from where it began, which nobody can remember. In movies, the talk is a logical straight line, moving plot from A to B. But in real life, it starts with the weather, then office gossip, vacation plans, childhood mishaps, a funny story about a trombone, the benefits of testing batteries with your tongue, why Esperanto never took off, what about Morey Amsterdam?âthe heartbreak of psoriasis, the trouble with Tribbles, the thrill is gone, fashion disasters throughout history, turtle migration, my bologna has a first name, youâre soaking in Palmolive, then suddenly Einstein blurts out something about the decay of matter and, boom, Nagasaki . . . So how âbout it?â Serge looked over at Nicole. âWant to try a real human conversation where people actually listen? Iâll go first: the Ice Age. Your thoughts?â
âI want my cell phone back.â
Sergeâs head fell back with a sigh. âOkay, then I want to talk about Snake.â
âWhat about him?â
âYou two were making out at the curb in front of your house.â
âSo what?â
âHe was being very disrespectful to your parents.â Serge wagged a finger. âThe kind of man you deserve would walk you to the door and greet your mother and father.â
âHow do you know my parents, anyway?â
âMe and Jim go way back, through thick and thin.â
âI heard some of the stories when I wasnât supposed to. My mom really hates you.â
âBecause she doesnât understand me. But sheâs a good woman, and you need to show her gratitude.â
âIâm just surprised you and my dad are friends.â
âWhy do you say that?â
âBecause you guys are cool. Youâre not afraid of anything.â Nicole looked out across the passing water. âAnd my dad is, you know, a little on the wimpy side.â
Serge hit the brakes with both feet. A long, tire-screeching stop at the top of the bridge. He turned to Nicole with a mask of rage she had never seen before. âJim is not wimpy!â
Nicole retreated as far as she could and sank against the passenger door.
âYour dad is one of the most courageous people I know! You think guns and liquor and dope and an excellent car is cool? Well, it is. But your dad has chosen to take on responsibilities I could never dream of . . .â
Car horns blared behind them. Coleman stuck his arm out the window with a beer in his hand, waving in a âgo aroundâ motion.
â . . . Thereâs a war against women going on!â yelled Serge. âNot political. Just men.
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