hundred times; a thousand times, and each time she reached this point it was the same. The hardest part of remembering. But it was also the most rewarding part. Because in moments like this she knew that her heart was breaking with her Fatherâs, looking down at miserable man; at the leper; the whore; the common pedestrian in Atlanta; Nadia. The ache in her heart now was no different from the ache in Godâs heart for his stray creation. It was there only because of love.
And she did love Nadia. She really did.
The phone rang incessantly.
Ivena sniffed, twisted to stand, and then thought better of it. Whoever it was could wait. It was only ten oâclock and she had no deliveries today. They could call back. She was nearly finished here anyway; no use running off prematurely. Nothing mattered as much as remembering. Except for following.
Ivena took a gulp of cool tea and let the phone ring out. When it did, she adjusted herself on the chair, sniffed again, and then began to read.
FATHER MICHAELâS world kept blinking on and off, alternating like intermittent static between this ghastly scene here and the white-flowered field there. He was jerked back and forth with such intensity that he hardly knew which scene was real and which was a figment of his imagination.
But that was just it. Neither world came from his imagination. He knew that now with certainty. He was simply being allowed to see and hear both worlds. His spiritual eyes and ears were being opened in increments, and he could hardly stand the contrast. One second this terrifying evil in the courtyard, and the next the music.
Oh the music! Impossible to describe. Raw energy stripping him of all but pleasure. The man was only a few hundred meters distant now, arms spread so that his cloak draped wide. An image of Saint Francis, but more. Yes, much more. Michael imagined a wide, mischievous grin on the man, but he couldnât see it for the distance. The man walked toward him steadily, purposefully, still singing. The giggling children sang with him in perfect harmony now. A symphony slowly swelling. The melody begged him to join. To leap into the field and throw his arms up and dance with laughter along with the hidden children.
Across the courtyard, the tall cross leading to the cemetery stood bold against the other worldâs gray sky. He had pointed to that very cross a thousand times, teaching his children the truth of God. And he had taught them well.
âYou may look at that cross and think of it as a gothic decoration, engraved with roses and carved with style, but do not forget that it represents life and death. It represents the scales on which all of our lives will be weighed. Itâs an instrument of torture and deathâthe symbol of our faith. They butchered God on a cross. And Christ emphasized none of his teachings so adamantly as our need to take up our own crosses and follow him.â
Nadia had looked up to him, squinting in the sunâhe saw it clearly in his mindâs eye now. âDoes this mean that we should die for him?â
âIf need be, of course, Nadia. We will all die, yes? So then if we have worn out our bodies in service to him, then we are dying for him, yes? Like a battery that expends its power.â
âBut what if the battery is still young when it dies?â That had silenced those gathered.
He reached down and stroked her chin. âThen you would be fortunate enough to pass this plain world quickly. What waits beyond is the prize, Nadia. Thisââhe looked up and drew a hand across the horizonââthis fleeting world may look like the garden of Eden to us, but itâs nothing more than a taste. Tell me,â and he looked at the adults gathered now, âat a wedding feast you receive gifts, yes? Beautiful, lovely gifts . . . vases and perfumes and scarves . . . all delightful in our eyes. We all gather around the gifts and show our pleasure. What a glorious
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