if they should hang loose about these brittle spindle-shanks and how hazardously she’s balanced on her golden kid sandals. It’s the legs.
But the face was not too good either. Even if one discounted the ruches under the eyes and the eyes themselves, there was still that dreadfully slack mouth. It was painted the fashionable livid colour but declared itself as unmistakably as if it had been scarlet: the mouth of an elderly Maenad.
Her nephew bore some slight resemblance to her. Alleyn remembered that his father, the second Lord Dorne, had been rapidly divorced by two wives and that the third, Kenneth’s mother, had been, as George would have said, ‘put away’. Not much of a start, Alleyn thought, compassionately, and wondered if the old remedy of ‘live on a quid-a-day and earn it,’ would have done anything for Kenneth Dorne.
As they advanced, he noticed that the young man watched Mailer with an air that seemed to be made up of anxiety, furtiveness and perhaps subservience. He was restless, pallid, yellow and damp about the brow. When Mailer introduced him and he offered his hand it proved to be clammy as to the palm and tremulous. Rather unexpectedly, he had a camera slung from his shoulder.
His aunt also shook hands. Within the doeskin glove the fingers contracted, momentarily retained their clasp and slowly withdrew. Lady Braceley looked fixedly into Alleyn’s eyes. So she still, he thought, appalled, gives it a go.
She said: ‘Isn’t this fun?’ Her voice was beautiful.
Mailer was at her elbow with Grant in tow: ‘Lady Braceley, may I present? Our guest of honour—Mr Barnaby Grant.’
She said: ‘Do you know you’re the sole reason for my coming to this party? Kenneth, with a team of wild horses, wouldn’t have bullied me into sightseeing at this ghastly hour. You’re my “sight”.’
‘I don’t know,’ Grant said rapidly, ‘how I’m meant to answer that. Except that I’m sure you’ll find the Church of S. Tommaso in Pallaria much more rewarding.’
‘Is that where we’re going? Is it a ruin?’ she asked, opening her devastated eyes very wide and drawling out the word. ‘I can’t tell you how I hate roo-ins.’
There was perhaps one second’s silence and then Grant said: ‘It’s not exactly that. It’s—well, you’ll see when we get there.’
‘Does it come in your book? I’ve read your book—that Simon one—which is a great compliment if you only knew it because you don’t write my sort of book at all. Don’t be huffy. I adored this one although I haven’t a clue, really, what it’s about. You shall explain it to me. Kenneth tried, didn’t you, darling, but he was even more muddling than the book. Mr Allen, come over here and tell me—have you read the last Barnaby Grant and if you have, did you know what it was about?’
Alleyn was spared the task of finding an answer to this by the intervention of Sebastian Mailer who rather feverishly provided the kind of raillery that seemed to be invited and got little reward for his pains. When he archly said: ‘Lady Braceley, you’re being very naughty. I’m quite sure you didn’t miss the last delicate nuance of Simon in Tuscany,’ she merely said ‘What?’ and walked away before he could repeat his remark.
It was now the turn of the Baron and Baroness. Lady Braceley received the introduction vaguely. ‘Aren’t we going to start?’ she asked Alleyn and Grant. ‘Don’t you rather hate hanging about? Such a bore, don’t you think? Who’s missing?’
Upon this cool inquiry, Sebastian Mailer explained that Major Sweet was joining them at the basilica and proceeded to outline the programme for the afternoon. They would drive round the Colosseum and the Forum and would then visit the basilica of S. Tommaso in Pallaria which, as they all knew, was the setting for the great central scene in Mr Barnaby Grant’s immensely successful novel, Simon in Latium. He had prevailed upon the distinguished author, Mr Mailer
But the face was not too good either. Even if one discounted the ruches under the eyes and the eyes themselves, there was still that dreadfully slack mouth. It was painted the fashionable livid colour but declared itself as unmistakably as if it had been scarlet: the mouth of an elderly Maenad.
Her nephew bore some slight resemblance to her. Alleyn remembered that his father, the second Lord Dorne, had been rapidly divorced by two wives and that the third, Kenneth’s mother, had been, as George would have said, ‘put away’. Not much of a start, Alleyn thought, compassionately, and wondered if the old remedy of ‘live on a quid-a-day and earn it,’ would have done anything for Kenneth Dorne.
As they advanced, he noticed that the young man watched Mailer with an air that seemed to be made up of anxiety, furtiveness and perhaps subservience. He was restless, pallid, yellow and damp about the brow. When Mailer introduced him and he offered his hand it proved to be clammy as to the palm and tremulous. Rather unexpectedly, he had a camera slung from his shoulder.
His aunt also shook hands. Within the doeskin glove the fingers contracted, momentarily retained their clasp and slowly withdrew. Lady Braceley looked fixedly into Alleyn’s eyes. So she still, he thought, appalled, gives it a go.
She said: ‘Isn’t this fun?’ Her voice was beautiful.
Mailer was at her elbow with Grant in tow: ‘Lady Braceley, may I present? Our guest of honour—Mr Barnaby Grant.’
She said: ‘Do you know you’re the sole reason for my coming to this party? Kenneth, with a team of wild horses, wouldn’t have bullied me into sightseeing at this ghastly hour. You’re my “sight”.’
‘I don’t know,’ Grant said rapidly, ‘how I’m meant to answer that. Except that I’m sure you’ll find the Church of S. Tommaso in Pallaria much more rewarding.’
‘Is that where we’re going? Is it a ruin?’ she asked, opening her devastated eyes very wide and drawling out the word. ‘I can’t tell you how I hate roo-ins.’
There was perhaps one second’s silence and then Grant said: ‘It’s not exactly that. It’s—well, you’ll see when we get there.’
‘Does it come in your book? I’ve read your book—that Simon one—which is a great compliment if you only knew it because you don’t write my sort of book at all. Don’t be huffy. I adored this one although I haven’t a clue, really, what it’s about. You shall explain it to me. Kenneth tried, didn’t you, darling, but he was even more muddling than the book. Mr Allen, come over here and tell me—have you read the last Barnaby Grant and if you have, did you know what it was about?’
Alleyn was spared the task of finding an answer to this by the intervention of Sebastian Mailer who rather feverishly provided the kind of raillery that seemed to be invited and got little reward for his pains. When he archly said: ‘Lady Braceley, you’re being very naughty. I’m quite sure you didn’t miss the last delicate nuance of Simon in Tuscany,’ she merely said ‘What?’ and walked away before he could repeat his remark.
It was now the turn of the Baron and Baroness. Lady Braceley received the introduction vaguely. ‘Aren’t we going to start?’ she asked Alleyn and Grant. ‘Don’t you rather hate hanging about? Such a bore, don’t you think? Who’s missing?’
Upon this cool inquiry, Sebastian Mailer explained that Major Sweet was joining them at the basilica and proceeded to outline the programme for the afternoon. They would drive round the Colosseum and the Forum and would then visit the basilica of S. Tommaso in Pallaria which, as they all knew, was the setting for the great central scene in Mr Barnaby Grant’s immensely successful novel, Simon in Latium. He had prevailed upon the distinguished author, Mr Mailer
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