desk and pulled the telephone in front of her. She looked up the number for the police.
Suddenly, unexpectedly, her vision blurred with hot tears. She tried to hold them back. She was Hilary Thomas, and Hilary Thomas did not cry. Not ever. Hilary Thomas was tough. Hilary Thomas could take all the crap the world wanted to throw at her and keep on taking it and never break down. Hilary Thomas could handle herself perfectly well, thank you. Even though she squeezed her eyes shut, the flood would not be contained. Fat tears tracked down her cheeks and settled saltily in the corners of her mouth, then dribbled over her chin. At first she wept in eerie silence, emitting not even the shallowest whimper. But after a minute or so, she began to twitch and shiver, and her voice was shaken loose. In the back of her throat, she made a wet choking sound which swiftly grew into a sharp little cry of despair. She broke. She let out a terrible quaverous wail and hugged herself. She sobbed and sputtered and gasped for breath. She pulled Kleenex from a decorator dispenser on one corner of the desk, blew her nose, got hold of herselfâthen shuddered and began to sob again.
She was not crying because he had hurt her. He hadnât caused her any lasting or unbearable painâat least not physically. She was weeping because, in some way she found difficult to define, he had violated her. She boiled with outrage and shame. Although he had not raped her, although he had not even managed to tear off her clothes, he had demolished her crystal bubble of privacy, a barrier that she had constructed with great care and upon which she had placed a great value. He had smashed into her snug world and had pawed everything in it with his dirty hands.
Tonight, at the best table in the Polo Lounge, Wally Topelis had begun to convince her that she could let down her guard at least a fraction of an inch. For the first time in her twenty-nine years, she seriously had considered the possibility of living much less defensively than she had been accustomed to living. With all the good news and Wallyâs urging, she had been willing to look at the idea of a life with less fear, and she had been attracted to it. A life with more friends. More relaxation. More fun. It was a shining dream, this new life, not easily attained but worth the struggle to achieve it. But Bruno Frye had taken that fragile dream by the throat and had throttled it. He had reminded her that the world was a dangerous place, a shadowy cellar with nightmare creatures crouching in the dark corners. Just as she was struggling out of her pit, before she had a chance to enjoy the world above ground, he kicked her in the face and sent her tumbling back where she came from, down into doubt and fear and suspicion, down into the awful safety of loneliness.
She wept because she felt violated. And because she was humiliated. And because he had taken her hope and stomped on it the way a school-yard bully crushes the favorite toy of a weaker child.
chapter two
Patterns.
They fascinated Anthony Clemenza.
At sundown, before Hilary Thomas had even gone home, while she was still driving through the hills and canyons for relaxation, Anthony Clemenza and his partner, Lieutenant Frank Howard, were questioning a bartender in Santa Monica. Beyond the enormous windows in the roomâs west wall, the sinking sun created constantly changing purple and orange and silver-fleck patterns on the darkening sea.
The place was a singlesâ bar called Paradise, meeting ground for the chronically lonely and terminally horny of both sexes in an age when all the traditional meeting groundsâchurch suppers, neighborhood dances, community picnics, social clubsâhad been leveled with real (and sociological) bulldozers, the ground where they once stood now covered with high-rise offices, towering cement and glass condominiums, pizza parlors, and five-story parking garages. The singlesâ bar was where
Melissa Schroeder
JOY ELLIS
Steven Saylor
Meg Watson
C.A. Johnson
Christy Gissendaner
Candace Knoebel
Tara Hudson
Liliana Camarena
Linda Bridey