Or his heart.
âDo you have any newspapers?â Brent asked, strolling toward her at her kitchen counter.
âNo, but I donât care about this old rug.â She set the bowl down on the rag rug she kept in front of her kitchen sink, then folded herself down alongside it and gently placed the puppy nearby. The dog eagerly lapped a few swallows, then began sniffing and investigating her new terrain.
âTim, donât get into anything over there,â Brentreminded again, strolling over to the studio area. He glanced at some of the work she had stacked around.
More still lifes in watercolor, but some were cityscapes, scenes taken from her windows. Shadows played differently against some of the same views, reflecting they were painted at different times of day. But among the smaller sheets against the bookcase, an image of a small boy holding a doughnut, his face smeared with chocolate icing, captured Brentâs attention.
He recalled that morning clearly. Autumn had, too. Sheâd caught the very essence of a boyâs pleasure in a simple treat.
âThis is really nice,â he said, nodding toward the painting. Autumn glanced up, then rose to join him as Timmy lay down on the rug to play with the puppy. He picked up the sheet and studied the composition. âYou have an excellent eye for faces. You must sell it to me, please. I wonderâ¦â
âOh, I couldnât sell that one,â she said casually, although the pink staining her cheeks told Brent she didnât exactly feel casual about the work. Or the compliment? âYou may have it, though. In exchange for the puppy.â
She didnât look at him as she shuffled some of her dry, unfinished sheets into a portfolio. She swished a brush in a can of water, and replaced tubes of paint into a compartmentalized case. Behind her, a stepladder, painted with trailing vines, leaned against the bookshelves, additional evidence of what sheâd been doing.
âThank you, I accept,â he said quietly. âMy mother will be delighted with it.â
âA fair exchange.â She remained quiet a moment, then asked, âWhat do you wonder?â
âHmmâ¦?â Heâd been looking at the portrait of his son, his gaze tracing the way sheâd captured the very shape of his eyes. He glanced up.
âOh. I have a new project Iâm very excited about. A church building. Itâs a hundred-plus-year-old inner-city location that a young minister hopes to revitalize and bring back to life. I donât know where his financing came from, but he seems to have a free hand and he has big plans for it.â
âThat sounds nice. What has it to do with me?â
âI thinkâ¦I think you should come see it.â
âOh? Why?â
âIâd rather show you. Why donât we take a run over there and Iâll tell you about it.â
âTell me about it now.â
âAll right,â he said, letting out a sigh. He wished sheâd just trust him a little more. âDavidâReverend Collierâand I have had several long talks about the restoration of the building and grounds. Though there isnât much left to the grounds. And the building was put up in three stages, so what we really have are three buildings connected. Thereâs a long connecting hall, a corridor, really, one side almost all glass windows. The blank wall is crying out for a muralââ
âOh, no.â She shook her head, a firm set to her chin. âI donât think I want to tackle anything of that size.â
âYou canât say no out of hand. You havenât heard my suggestion.â
âWhy canât I? And I can guess at what you wondered, and the answer is no. I donât want to take on that much outside work. I donât like crowds.â
âBut Autumn, this is a very special project. I think youâll be interested once you see it. Itâs not your usual
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