day, the day we leaned on a language
Which wasted its heart when it changed track. No one
Said to Imruâ al-Qais: What have you done
With us and yourself? So go on
Caesarâs road, after smoke rising black from Time. Go on Caesarâs
Path, alone, alone, alone
And leave us, here, your language!
Successions for Another Time
It was a rushing day. I listened to the water
Which the past took and passed quickly on,
Underneath,
I see myself split in two:
I,
And my name…
*
In order to dream I need nothing: a little
Sky for me to visit will suffice for me to see
Time light and friendly
Around the dovecotes
*
A little of God’s word to the trees
Is enough for me to build with expressions
A secure refuge
For the cranes that the hunter missed…
*
How much did my memory have to preserve
The names. How many mistakes did I make in the spelling
Of verbs. But this star is
My own making above the marble…
*
It was a rushing day. No one apologised
For anything. The clouds of tall trees
Did not fall on the street
And blood did not flash above words
*
All is quiet at the meeting of the two seas
Days have no data since today,
None dead and none alive. No truce,
No war on us or peace
*
And my life is in another place. It is unimportant
To describe a café and chat between two forsaken windows.
Or to describe an Autumn chewing
Mastic in this crowd
*
…And in order to dream I do not need
A large house. A little drowsiness of a wolf
In the forest suffices for me to see, above,
A sky for me to visit…
*
My life is in another place. It is not important
That Chingiz Khan’s daughter in her pants should see it
Or that a reader should see it entering into meaning
As ink in darkness
*
It was a rushing day. Tomorrow was passing
Coming from a tea party. Tomorrow we were!
And the Emperor was kind to us. We were
Tomorrow… witnessing the inauguration of the ruins…
*
Everything is quiet. It is not important
To describe blacksmiths who did not listen to
The tango, or the dead who sleep, as
They slept and did not apologise to Master History…
*
For me to dream, I do not need a night like this…
And a little sky for me to visit, will suffice
For me to see time light
And friendly,
And to sleep…
â¦When He Walks Away
The enemy drinking tea in our hut
Has a horse in the smoke. And a daughter who has
Thick eyebrows. A pair of brown eyes. Hair
Long as a night of songs on her shoulders. Her picture
Does not leave him whenever he comes to us asking for tea. But he
Does not speak to us about her affairs in the evening, and about
A horse left by the songs on the top of the hill⦠/
*
â¦In our hut the enemy relaxes without the rifle,
He leaves it on Grandfatherâs chair. And he eats our bread
As would a guest. He dozes a little on
The bamboo seat. He strokes our catâs fur.
And he constantly says to us:
Donât blame the victim!
We ask him: Who is that?
And he says: Blood that the night does not dry⦠/
*
The buttons on his tunic shine as he leaves
Good evening and greet our well
And the fig trees. And tread gently on
Our shadow in the barley fields. Greet our cypress
On the heights. And do not leave the house door open
At night. Do not forget that
The horse is afraid of aeroplanes,
And greet us, there, when Time allows⦠/
*
These are the words we would have liked
To say at the door⦠he hears them very
Very well, and he hides it with a quick cough
And casts it aside.
Why does he visit the victim every evening?
And memorize our proverbs like us?
And repeat our very songs
About our very appointments in the holy place?
Were it not for the pistol, reed pipe would blend with reed pipe⦠/
*
â¦The war will not end so long as the earth
In us revolves around itself!
So let us be good. He asked us to be good here
And read poetry to Yeatsâs pilot:
I do not love those whom
I defend, as I do not
William Wayne Dicksion
Susan Macatee
Carolyn Crane
Paul Fraser Collard
Juliet Michaels
Gail Chianese
Naima Simone
Ellis Peters
Edward L. Beach
Helen Cooper