fact, their honor. They are thrilled that someone cares enough to want to learn and experience their traditional, and quickly disappearing, way of life. Jim himself is like a legend to them; some of the younger Waorani even come into the hut just to get a glimpse of the famous Warika. During the ten years that Jim and his wife, Kathy, spent living among the Waorani, he became an indispensable part of helping the Waorani achieve ownership of territory in the jungles of Ecuador. Tomo respects and cares for Jim greatly, but when Duey arrives later that evening, the love and friendship is even more evident.
Waorani don’t have words for hello or goodbye, so Duey simply sheds tears as he hugs Jim in greeting. Duey has walked for a day and a half through thick jungle just to see Jim. It was Duey who organized the men and women of the tribe to come into our hut to sing for us this first evening. It is by far the crudest, most rudimentary form of music I have ever heard. There is only the faintest hint of form or melody, and no pitch or tuning at all for the rustic percussion instruments and flutes. Each song is a repetitive chanting of one or two lines of lyric. It is beautiful. I sit in the firelight as seven Waorani treat us to their traditional storytelling songs. I breathe deep and hold back tears. The honor is purely ours. In the middle of the night, I am awakened by Duey chanting and praying in a loud voice. Jim explains that this is a holdover from his days of existing as part of a more violent culture. You stayed awake in shifts and talked and sang so that your enemy knew you were awake and couldn’t attack you by surprise.
The next day, after our breakfast of manioc, we wait patiently in the hut, hanging around, literally, in our hammocks while the rain falls. It rains nearly every day here, usually for many hours, and often as a downpour. Once the rain stops, the sun beats down through any small opening in the jungle canopy like a fiery hammer on your head. Before long, our hosts arrive; my training is about to begin. Kinta and Ippa wear traditional clothing on their upper bodies: leaves and feathers on their heads, woven plant fiber and decorations around their necks.
My first lesson is in the art of hunting by blowgun, a survival priority. If you can’t hunt or fish, you can’t survive. Village kids can point a two-yard-long blowgun heavenward and hit a hummingbird sixty yards away. I practice on coconuts, and Tomo cheers every time I hit my mark. Maybe I’ll survive in the jungle after all!
Tomo has his own near-death story to tell. He once hit a monkey with a dart from his blowgun. As it fell, the monkey got caught on a branch. Tomo climbed seventy feet up the tree to knock the monkey down. High up in the jungle canopy, he grazed a small poisonous caterpillar. The toxic shock was so powerful that his whole body was jolted out of the tree and he fell to the ground. He was taken to the village hospital, where he remained for three weeks. His entire body turned completely black from the caterpillar toxin. Things were looking grim when an entomologist was found in Brazil who not only recognized the poisoning but had developed an antidote. Tomo’s life was saved, and he hadn’t broken a single bone.
The Amazon is home to countless millions of poisonous snakes, spiders, frogs, ants, bees, wasps, fish, and caterpillars. Can I survive here? Many of the survival methods I teach in North America are backward in the jungle. In North America, for example, you never stand on or jump off a log for fear of breaking an ankle. In the jungle, however, you always stand on logs before you cross them, because most poisonous snakebites occur when you step over the log, oblivious to the snakes hiding on the underside. I also learn to tromp heavily, as the vibrations will often cause the snakes to slither out of your way.
My next tutorial involves net fishing in the small, muddy jungle streams. This time, the women take over as my
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