Arthur.â
âThen I order you to tell me whatever nonsense you have to say about a murder! So that I can go back to work!â
She considered being angry, perhaps weeping. She was hurt, no doubt of that; on the other hand, he was the man and he had been working. She settled for a somewhat girlish chagrin and utter simplicity. âI found a picture of the murder victim in a newspaper. The murder in the Bowery that I told you about. I recognize her. I saw her in the hotel lobby yesterday.â
At least he didnât ask her where sheâd got the newspaper; sheâd have had to lie again. Instead, he asked for details of the murder, which heâd quite forgotten; he asked to see the newspaper sketch; he asked her to explain why she remembered the woman. Then he tore the newspaper sketch to bits and told her that she was being utterly silly and he never wanted to hear about the matter again.
âI have a duty to report it.â
âDuty to whom? To report what? I forbid you to do such a thing.â His voice fell back to the level of a patient fatherâs explaining life to a child. âWhat you think you know about the woman is pure surmise. And what in the world do you know about trysts and assignations? You know nothing about why she was in the hotel; you know nothing about the man. In fact, your ârecognizingâ her is pure female romancing and wouldnât stand up in a court of law for ten seconds. Louisa, what can you be thinking of? I think you are exhausted and have overexcited yourself. Remember that you have been ill! Low fever can lead women to hysterical inventionâyou have woven an entire tapestry of cobwebs, my dove!â He took her hands and sat them both down. âMy dearest wife, think how it would look if you went to the police with this tale. What would a sharp detective make of a perhaps non-existent encounter in a hotel lobby, and a newspaper hackâs sketch that could be any of a hundred thousand women in New York? My love, think!â
âYou always say that police detectives are the stupidest men in the world.â
âDonât throw my words back at me, Louisa! Itâs not becoming to you. I ask you to think . Think of what it means if Mrs. Arthur Conan Doyle tells the police she has a clue in a murder case. Do you know what the newspapers would call you? âMrs. Sherlock Holmes.â Thatâs what theyâd call you. âMrs. Sherlock Holmes Finds Novel Clue.â Do you see? My dove?â
She drew her hands away. âYou think Iâm imagining things.â
âNo, dove, noâyouâre too bright and too much my shining star for such a thing! I mean you donât have facts .â
And of course, he was right. She didnât have any real facts, if by âfactsâ one meant something like the date of Magna Carta. âOf course youâre right, Arthur. Please forgive me for interrupting you.â
He kissed her. âYou should always be able to interrupt me. I was rude and churlish to you. Forgive me?â
They kissed. He went back to work. She went into the bedroom.
But, dammit, that woman was the one I saw in the hotel lobby! I know what I saw!
***
A closed carriage assigned to Commissioner Roosevelt pulled up at a side entrance of the City Mortuary. Roosevelt was out the door before its wheels stopped grinding against the curb. He bustled across the pavement and yanked open the door as if he expected to make an arrest on the other side. âWell?â he bellowed.
âAll clear.â
âYouâre Cleary, are you?â
âYes, sir, Lieutenant Cleary. Murder Squad.â Cleary was a tall, sad-eyed man with black hair that stood up like a hogâs bristles. He was in fact the commander of the Murder Squad, and if he was offended because Roosevelt didnât remember having met him twice before, he didnât show it.
Roosevelt dropped his voice. âHardingâs in my
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