Year’s Best SF 15

Year’s Best SF 15 by David G. Hartwell and Kathryn Cramer

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Authors: David G. Hartwell and Kathryn Cramer
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of the best anthologies of the year. Set in the southern U.S., in an alternate late nineteenth century, it takes place in a universe in which the U.S. Civil War was avoided. It is the first of several alternate universe stories in this volume.

 
    â€œI t’s worth your life to go up there,” the tavernkeeper’s wife said. “What do you want to go up there for, anyway?”
    â€œThe property is for sale,” I said.
    â€œProperty!” The landlady of the roadside tavern nearly spat out the word. “There’s nothing up there but sand hills and saggy old sheds. That, and a family of crazy colored people. Someone claims they sold you that? You ought to check with the bank, Mister, see about getting your money back.”
    She smiled at her own joke, showing tobacco-stained teeth. In this part of the country there were spittoons in every taproom and Bull Durham advertisements on every wall. It was 1895. It was August. It was hot, and we were in the South.
    I was only posing as an investor. I had no money in all the baggage I was carrying—very little, anyhow. I had photographic equipment instead.
    â€œYou go up those hills,” the tavernkeeper’s wife said more soberly, “you carry a gun, and you keep it handy. I mean that.”
    I had no gun.
    I wasn’t worried about what I might find up in the pine barrens.
    I was worried about what I would tell my daughter.
    Â 
    I paid the lady for the meal she had served me and for a second meal she had put up in a neat small box. I asked herwhether a room was available for the night. There was. We discussed the arrangements and came to an agreement. Then I went out to where Percy was waiting in the carriage.
    â€œYou’ll have to sleep outside,” I said. “But I got this for you.” I gave him the wrapped dinner. “And the landlady says she’ll bring you a box breakfast in the morning, as long as there’s nobody around to see her.”
    Percy nodded. None of this came as a surprise to him. He knew where he was, and who he was, and what was expected of him. “And then,” he said, “we’ll drive up to the place, weather permitting.”
    To Percy it was always “the place”—each place we found.
    Storm clouds had dallied along this river valley all the hot day, but no rain had come. If it came tonight, and if it was torrential, the dirt roads would quickly become useless creeks of mud. We would be stuck here for days.
    And Percy would get wet, sleeping in the carriage as he did. But he preferred the carriage to the stable where our horses were put up. The carriage was covered with rubberized cloth, and there was a big sheet of mosquito netting he stretched over the open places during the night. But a truly stiff rain was bound to get in the cracks and make him miserable.
    Percy Camber was an educated black man. He wrote columns and articles for the Tocsin , a Negro paper published out of Windsor, Canada. Three years ago a Boston press had put out a book he’d written, though he admitted the sales had been slight.
    I wondered what the landlady would say if I told her Percy was a book writer. Most likely she would have denied the possibility of an educated black man. Except perhaps as a circus act, like that Barnum horse that counts to ten with its hoof.
    â€œMake sure your gear is ready first thing,” Percy said, keeping his voice low although there was nobody else about—this was a poor tavern on a poor road in an undeveloped county. “And don’t drink too much tonight, Tom, if you can help it.”
    â€œThat’s sound advice,” I agreed, by way of not pledgingan answer. “Oh, and the keeper’s wife tells me we ought to carry a gun. Wild men up there, she says.”
    â€œI don’t go armed.”
    â€œNor do I.”
    â€œThen I guess we’ll be prey for the wild men,” said Percy, smiling.
    Â 
    The room where I spent

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