brother on the other side of the Mediterranean. They didnât exist for me any more than I did for them. We were strangers to each other. In fact, I was a stranger to the entire world, free as the wind, uncontrollable and uncontrolled.
11
Actually, this judge- for-kids thing isnât bad. Since I donât get my money from the government anymore, she gives me a little allowance. Enough to buy me a kebab and fries and pay for my transportation. Every three weeks, I go to her office and she hands me my envelope. If I show up with shoes that are borderline too small for my growing feet, she adds a few bills. She hasnât figured out that the nicer she is, the more I ask for. And it works! At the worst, she gives me a speech.
âAbdel Yamine, youâre not stealing anything, right?â
âOh no, maâam!â
âThat sweatshirt looks brand-new. Itâs nice, by the way!â
âMy father bought it for me. He works, he can afford it!â
âI know your father is a hardworking man, Abdel Yamine . . . but you, have you found any training?â
âNot yet.â
âWell what do you do with your days then? I see that
youâre wearing a track jacket and you like athletic shoes. Do you play any sports?â
âYeah. Kind of.â
Iâm running. Iâm always running. I run as fast as I can to get away from the cops whoâre chasing me from Trocadéro all the way to the Bois de Boulogne. I sleep in trains in the suburbs, but I donât sleep much. Once or twice a week, I get a room at a Formule 1 hotel so I can take a shower. I only wear new clothes. I leave them behind when I want to change.
Tourists rush to the foot of the Eiffel Tower to take photos of themselves. They stand right on the axis with Trocadéro, click-clack-Kodak, the memoryâs made and the camera almost put away in the bag: these Americans donât really take care of their toys. They hold their cameras negligently, dangling from their hands, theyâre loaded down with raincoats, water bottles, bags they wear on shoulder straps that get in the way of their walking. I give a demonstration to the younger kids looking to get into this line of work. I provide their training. I get closer, hands in my pockets, with the innocent, blissful look of a guy taking in the view and, suddenly, as quick as a cobra, I snatch the camera and take off toward the east. I cross the Trocadéro gardens, head down the boulevard Delessert, then the rue de Passy, and disappear into La Muette metro station. By the time the American realizes whatâs happened and tells the police, Iâm back in the neighborhood and the merchandise has already been offloaded. The field is well organized and its headquarters is the Ãtienne Marcel metro station. There you can always find a taker for a video recorder, a Walkman, a watch, a pair
of Ray-Ban sunglasses. I donât bother with wallets; theyâre not effective enough: since credit cards showed up, people almost never keep cash on them, so itâs not worth it. With technological devices, I easily guarantee myself a nice return. And whatâs more, no labor costs.
The guys that hang around Trocadéro have no common sense. Or they havenât picked a side yet: thieves versus honest people. Theyâre the sons of storekeepers, middle managers, teachers, working-class people, these idiots who only skip classes one day out of two, who are looking for a thrill, but not really sure they want to find it. Theyâre willing to take risks for me, small, brown-eyed, nothing special. They think Iâm cool, theyâre lonely, theyâd want to slum it a little, but since they werenât lucky enough to grow up in the projects like me, they donât know the ways to work that we all learn at the foot of our buildings. They act like puppies who run back with the stick their masters threw and pant with their tongues hanging out hoping for a piece
Beth Ciotta
Nancy Etchemendy
Colin Dexter
Jimmie Ruth Evans
Lisa Klein
Margaret Duffy
Sophia Lynn
Vicki Hinze
Kandy Shepherd
Eduardo Sacheri