Your Face Tomorrow: Poison, Shadow, and Farewell

Your Face Tomorrow: Poison, Shadow, and Farewell by Javier Marías, Margaret Jull Costa

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Authors: Javier Marías, Margaret Jull Costa
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happened before and to make herself more at home, on the baseless assumption that I will let her in and devote time to her at any hour or in any circumstances, whether I'm busy or not, whether I have other visitors or not, whether I feel pleased or regretful (though I've more than likely forgotten) that I allowed her to set foot on my territory the day before. When I want to be alone or I'm missing Luisa. And it's really riled me when one such woman has phoned up later saying 'Hi, it's me,' as if yesterday's bit of carnal knowledge had conferred on her exclusivity or uniqueness, or made her instantly identifiable, or guaranteed her a prominent place in my thoughts, or obliged me to recognize a voice that possibly—if I was lucky—uttered only a single groan or a few, purely out of politeness.
    However, what has most enraged me has been the feeling that I was somehow in her debt (absurd in this day and age) for allowing me to sleep with her. This is probably a hangover from the era into which I was born, when it was still considered that all the interest and insistence came from the man and that the woman merely gave in or, more than that, conceded or assented, and that she was the one making a valuable gift or granting a large favor. Not always, but all too frequently, I have judged myself to be the architect or the person ultimately responsible for what has happened between us, even if I hadn't sought or anticipated it—although I've seen it coming on most occasions, suspected it—and assumed that they would regret it as soon as it was over and I'd withdrawn or moved away, or while they were getting dressed again or smoothing or adjusting their clothes (there was even a married woman once who asked to borrow my iron: her tight skirt, by then, looked like a concertina, and she was going straight on to a dinner party with some very proper married couples and didn't have time to go home first; I lent her my iron and she left looking very pleased with herself, her skirt silent and showing no trace of its recent ups and downs), or perhaps later on, when they were alone and in pensive or reflective mood, gazing up at the same moon—to which I would be oblivious—through windows that, for them, had suddenly taken on a nuptial feel, as they dozed in the early hours.
    And so I have often felt an impulse to repay them at once, by being sensitive, patient or prepared to hear them out; by attending meekly to their woes or engaging with their chatter; by watching over their unfamiliar sleep or bestowing on them inappropriate caresses that certainly didn't come from the heart, but which I dredged up from somewhere; by thinking up complicated excuses so that I could leave their house before dawn, like a vampire, or leave my own house in the early hours, thus letting it be understood that they couldn't stay overnight and that they had to get dressed and go downstairs with me and pick up their car or get a taxi (with me having paid the driver in advance), instead of admitting to them that I could no longer stand seeing them, listening to them or even lying breathing sleepily by their side. And sometimes my impulse has been to reward them, symbolically and ridiculously, and then I've improvised a gift or prepared them a good breakfast if it was that time of the morning and we were still together, or I've bowed to some wish that it was within my power to grant and which they had expressed not to me but to the air, or agreed to some implicit and unformulated request, made long enough ago for the two things not to be connected or only if there was a stubborn insistence on bringing together word and flesh. Not, on the other hand, if the request was made explicitly and immediately after the event, because then I've never been able to shake off the unpleasant feeling that some sort of transaction or exchange has taken place, which falsifies what has happened and makes it seem somehow sordid or, indeed, glossed over, as if it had never

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