A Living Nightmare by Darren Shan

thirty years old. She is an incredible creature, both poisonous and intelligent."
    While he was speaking, one of the blue-hooded people led a goat onto the stage. It was making a frightened bleating noise and kept trying to run. The hooded person tied it to the table and left.
    The spider began moving when it saw and heard the goat. It crept to the edge of the table, where it stopped, as if awaiting an order. Mr. Crepsley produced a shiny tin whistle he called it a flute from his pants pocket and blew a few short notes. Madam Octa immediately leaped through the air and landed on the goat's neck.
    The goat gave a leap when the spider landed, and began bleating loudly. Madam Octa took no notice, hung on, and moved a few inches closer to the head. When she was ready, she bared her fangs and sunk them deep into the goat's neck!
    The goat froze and its eyes went wide. It stopped bleating and, a few seconds later, toppled over. I thought it was dead, but then realized it was still breathing.
    "This flute is how I control Madam Octa," Mr. Crepsley said, and I looked away from the fallen goat. He waved the flute slowly above his head. "Though we have been together such a long time, she is not a pet, and would surely kill me if I ever lost it.
    "The goat is paralyzed," he said. "I have trained Madam Octa not to kill outright with her first bite. The goat would die in the end, if we left it there is no cure for Madam Octa's bite but we shall finish it quickly." He blew on the flute and Madam Octa moved up the goat's neck until she was standing on its ear. She bared her fangs again and bit. The goat shivered, then went totally still.
    It was dead.
    Madam Octa dropped from the goat and crawled toward the front of the stage. The people in the front rows became very alarmed and some jumped to their feet. But they froze at a short command from Mr. Crepsley.
    "'Do not move!" he hissed. "Remember your earlier warning: a sudden noise could mean death!"
    Madam Octa stopped at the edge of the stage, then stood on her two back legs, just like a dog! Mr. Crepsley blew softly on his flute and she began walking backward, still on two feet. When she reached the nearest leg of the table, she turned and climbed up.
    "You will be safe now," Mr. Crepsley said, and the people in the front rows sat down again, as slowly and quietly as they could. "But please," he added, "do not make any loud noises, because if you do, she might come after
me
."
    I don't know if Mr. Crepsley was really scared, or if it was part of the act, but he looked frightened. He wiped the sleeve of his right arm over his forehead, then placed the flute back in his mouth and whistled a strange little tune.
    Madam Octa cocked her head, then appeared to nod. She crawled across the table until she was in front of Mr. Crepsley. He lowered his right hand, and she crept up his arm. The thought of those long hairy legs creeping along his flesh made me sweat all over. And I
liked
spiders! People who were afraid of them must have been nervously chewing the insides of their cheeks to pieces.
    When she got to the top of his arm, she scuttled along his shoulder, up his neck, over his ear, and didn't stop until she reached the top of his head, where she lowered her body. She looked like a funny kind of a hat.
    After a while, Mr. Crepsley began playing the flute again. Madam Octa slid down the other side of his face, along the scar, and walked around until she was standing upside down on his chin. Then she spun a string of web and dropped down on it.
    She was hanging about three inches below his chin now, and slowly began rocking from side to side. Soon she was swinging about level with his ears. Her legs were tucked in, and from where I was sitting she looked like a ball of wool.
    Then, as she made an upward swing, Mr. Crepsley threw his head back and she went flying straight up into the air. The thread snapped and she tumbled around and around. I watched her go up, then come down. I thought she'd