choose.â
âDonât you think maybe Iâd like to be compelled by you, for that to make my choice?â
âIâm not much for coercion.â
âItâs persuasion Iâm asking for,â Julia said. âI donât want it to be all the same to you whether I say yes or no.â
Philip prepared an evening of tantra, âa true yoga, serenity in motionless sexual union.â He positioned himself on the mat, thehalf lotus. Setting Julia on his lap, hooking her feet around his back, he entered her. Within minutes his breathing had subsided to a dilation of the nostrils, sigh. His eyes shut, the blue-veined lids unclenching. The forehead smoothed.
Juliaâs skin burst with excitement and frustration. When finally he stirred, she choked her limbs around him, mauled his chest with her teeth. Quick-quick-quick she moved, bouncing her rear on his ankles, beating against him.
âI have to beg off tonight,â Philip said over the phone. âMy feet wonât get me down the stairs.â Heâd been complaining.
Julia covered the hot dishes in foil and drove them over. âThis place may have had its day,â she said. âIf you were closer at hand, Iâd be more available.â
âIs that a suggestion that I move in?â
âI suppose it is. The shambles is charmingââshe gestured around the apartmentââbut why not live graciously for a change?â
âCan you imagine us rattling around each other twenty-four hours a day?â
âItâs not so outlandish,â Julia said. Sheâd keep the top floor, heâd have the bottom, more territory than he was used to.
âJulia, your forays tire me.â
âMe, too, Philip, I couldnât agree with you more. Please do me the one favor. Meet Tim.â
A day later Philip said, âA concession on my part is called for. Iâll come.â
Philip was due at six. Tim and Linda arrived an hour early to help set up. Linda, diminutively voluptuous in a tight sheath, hair coiled, arranged the snack tray. Acting out family stories, she revealed a flair for mimicry. Tim had prepped for the evening to the extent of dredging up college lit notes. He discoursed on symbolism in
The Mill on the Floss
. Dusting the London broilwith garlic, he quoted verbatim passages from
Anna Karenina
in the dogâs point of view.
âSweetheart,â Julia said. âIâm really moved by this support.â Tim kissed her.
A glass of sherry, intended to calm, made them giddier. Picking at the hors dâoeuvres, they had nearly emptied the tray when, at six sharp, the phone rang.
âIâm sorry, itâs wrong. I feel coerced. We need to talk,â Philip said.
Julia turned to Linda and Tim. âYou guessed it.â
â
Shit
,â Tim said. The explosive âtâ made the word particularly ugly.
Julia and Philip stood at his kitchen counter half an hour, as if sitting hadnât occurred to them. They conversed with a distracted fluency, statements already thought through that they now borrowed from themselves. Neither referred to a purpose for the meeting.
Julia asked why Philip no longer wrote.
He did, but rarely, nothing to keep. âI wonât write depressed,â he said. âThatâs ego, not poetry. I have no affinity with the vogue of inflicting oneâs every hidden recess upon 80 million readers.â
Why so depressed? âYour feet,â she joked.
âYes.â He laughed. âAnd my wife.â
âYour ex-wife.â
âIâve resumed with her.â
Julia rejected the attempt to believe she had mis-heard.
Vera was fifty, Philip said, still beautiful, copper hair and cream skin.
âWhere do you go?â Julia asked numbly, as if interviewing.
âHere in town. Unfortunately, sheâs hopelessly unstable.â After leaving him, Vera had jumped off a bandshell roof during a rock concert.
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