without any fighting, simply because of the crazy screwups, the lack of information, the laziness and callousness of blacks for whom human life had no value.
In other words, they expressed a desire to live.
A discussion began, which is what Latins love most of all. Alberto tried to sell them on the argument that they would shoot a lot of tape and make a lot of the money they all needed so badly. But it was Monti who finally assuaged them by saying that at that time of day—it was almost noon—there was no fighting on the front. And he gave the most straightforward explanation in the world: “It’s too hot.”
Outside the window the air was rippling like tin in a forge; every movement demanded effort. We started getting ready to hit the road. Monti went downstairs, woke up one of the soldiers, and sent him into town where, somewhere, there were drivers and cars. A Citroën DS and a Ford Mustang turned up. Monti wanted to make it nice for us, so as our escort he designated a soldier named Carlotta.
Carlotta came with an automatic on her shoulder. Even though she was wearing a commando uniform that was too big for her, you could tell she was attractive. We all started paying court to her immediately. In fact, it was Carlotta’s presence that persuaded the crew to forget about their houses outside Lisbon and travel to the front. Only twenty years old, Carlotta was already a legend. Two months earlier, during the uprising in Huambo, she had led a small MPLA detachment that was surrounded by a thousand-strong UNITA force. She managed to break the encirclement and lead her people out. Girls generally make excellent soldiers—better than boys, who sometimes behave hysterically and irresponsibly at the front. Our girl was a mulatto with an elusive charm and, as it seemed to us then, great beauty. Later, when I developed the pictures of her, the only pictures of Carlotta that remained, I saw that she wasn’t so beautiful. Yet nobody said as much out loud, so as not to destroy our myth, our image of Carlotta from that October afternoon in Benguela. I simply looked up Alberto, Carvalho, Fernandez, and Barbosa and showed them the pictures of Carlotta taken on the way to the front. They looked at them in silence and I think we all chose silence so we wouldn’t have to comment on the subject of good looks. Did it mean anything in the end? Carlotta was gone by then. She had received an order to report to the front staff, so she put on her uniform, combed out her Afro, slung the automatic over her shoulder, and left. When Comandante Monti, four Portuguese, and a Pole saw her in front of staff headquarters, she seemed beautiful. Why? Because that was the kind of mood we were in, because we needed it, because we wanted it that way. We always create the beauty of women, and that day we created Carlotta’s beauty. I can’t explain it any other way.
The cars moved out and drove along the road to Balombo, 160 kilometers to the east. To tell the truth, we all should have died on the winding road, full of switchbacks that the drivers took like madmen; it was a miracle that we got there alive. Carlotta sat beside the driver in our car and, since she was used to that kind of driving, she kidded us a little. The force of the wind threw her head back, and Barbosa said he would hold on to Carlotta’s head so the wind wouldn’t tear it off. Carlotta laughed, and we envied Barbosa. At one of the stops, Fernandez proposed that Carlotta move to the back with us and sit on our knees, but she refused. We rejoiced out loud at his defeat. After all, Fernandez had clearly wanted Carlotta to sit on his own lap, which would have ruined everything since she didn’t belong to anyone and we were creating her together, our Carlotta.
She was born in Roçadas, not far from the border of Namibia. She received her military training a year ago in the Cabinda forest. She wants to become a nurse after the war. That’s all we know about this girl who is now
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